影片推薦
最后的吸血鬼
工藤夕貴,中村佐恵美驚門(mén)
王子子,彭敬慈,陳芋米,佟月,王遠(yuǎn)達(dá)養(yǎng)鬼吃人
敖德薩·阿德隆,杰米·克萊頓,亞當(dāng)·費(fèi)森,德魯·斯塔基,布蘭登·弗林,伊芙·海因德,杰森·萊爾斯,尹金·奧洛倫尼夫,賽琳娜·露,扎卡里·興,基特·克拉克,高蘭·維斯耶克,西婭姆·阿巴斯,普里德拉格·比耶拉克,戈麗察·瑞格迪克,武卡辛·約萬(wàn)諾維奇,伊沃娜·庫(kù)斯圖迪奇,米奧德拉格·米洛瓦諾夫,尼古拉·肯特,凱蒂·戈伊科維奇眠山怪影
Herbert M. Dawley摩斯拉1996
小林恵,山口紗彌加,羽野晶紀(jì),二見(jiàn)一樹(shù),藤?zèng)g麻彌,萩原流行,田中ひろ子,荒川強(qiáng)啓,寺尾聰,大寶智子,須藤真里子,高橋ひとみ,梨本謙次郎小意大利
艾瑪·羅伯茨,海登·克里斯滕森,艾莉莎·米蘭諾,丹尼·愛(ài)羅,安德列·馬丁,簡(jiǎn)·西摩,蓋里·巴薩拉巴,亞當(dāng)·費(fèi)拉拉,琳達(dá)·卡辛,克里斯蒂娜·羅塞托同類精選
米納里
史蒂文·元,韓藝璃,達(dá)里爾·考克斯,威爾·帕頓,尹汝貞,蒂娜·帕克,斯科特·黑茲,艾倫·S·金,Laurie Cummings,埃里克·斯達(dá)克,Esther Moon,Ben Hall,Noel Cho,Chloe Lee,James Carroll,Jacob M Wade,Jenny Phagan孤立無(wú)援
凱特琳·德弗,Ginger Cressman,扎克·杜哈梅,杰拉爾丁·辛格,Rose Bianca Grue,Dari Lynn Griffin,Elizabeth Kaluev,Evangeline Rose,Devyn Sandidge,Lauren L. Murray,John Cortes,娜塔莉·阿拉爾孔,Bridget Malbrough迷妄國(guó)度4
Trupti Agarwal,Gaurav Arora,Ashwath Bhatt永恒站
邁爾斯·特勒,伊麗莎白·奧爾森,卡勒姆·特納,約翰·厄爾利,達(dá)明·喬伊·倫道夫,貝蒂·巴克利,杰夫·???潘塔·莫斯勒,布雷迪·德魯利斯,歐嘉·梅雷迪斯,塞巴斯蒂安·比林斯利-羅德里格斯,諾亞·布羅姆利,歐佳·佩斯塔,珍妮·克魯?shù)贍?巴里·普賴默斯,埃里克·高,露西·特恩布爾,大衛(wèi)·Z·科恩,丹尼·麥克,凱爾·沃倫上身
田牧童,劉述,郭星顯,黃伊伊,周炎一個(gè)星期三的下午
Anupam Kher,Naseeruddin Shah影視排行
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
太空運(yùn)輸
馬丁·拉波德,Michael Finger,Claude-Oliver Rudolph23世紀(jì)中葉,地球已進(jìn)入全面崩潰的階段,戰(zhàn)爭(zhēng)和傳染病讓這顆原本美麗的藍(lán)色星球破爛不堪,人類被迫離開(kāi)賴以生存的家園,遠(yuǎn)赴外太空尋找新的棲息地。憑借TSA先進(jìn)的技術(shù),木衛(wèi)五成為充滿希望的新興樂(lè)土。在此之后,大批地球人乘坐飛船前往木衛(wèi)五,地球逐漸被人遺忘?! ∪欢驮诖藭r(shí),不斷有人起來(lái)反抗,聲稱要推翻TSA利用機(jī)器對(duì)人類的麻醉和統(tǒng)治,并據(jù)此不斷向空間站發(fā)起恐怖襲擊。美麗的勞拉·波特曼博士(Anna-Katharina Schwabroh 飾)隨一艘貨船前去空間站看望親人。在長(zhǎng)達(dá)4個(gè)月的旅途中,大部分人需進(jìn)入睡眠狀態(tài)。勞拉擔(dān)任了值班的任務(wù),然而在這靜寂的飛船里,似乎有其他人在暗中窺視著她。一樁樁陰謀漸漸浮出水面……
誤殺2019
肖央,譚卓,陳沖,姜皓文,秦沛,邊天揚(yáng),許文姍,張熙然,施名帥,黃健瑋,陳志朋,葉瀏,谷洋,張林李維杰(肖央 飾)與妻子阿玉(譚卓 飾)來(lái)泰打拼17年,膝下育有兩個(gè)女兒,年屆四十的他靠開(kāi)設(shè)網(wǎng)絡(luò)公司為生,為人也頗得小鎮(zhèn)居民的好感,而這一切美好卻被突如其來(lái)的不速之客打破。這個(gè)充斥走私,販毒活動(dòng)的邊陲小鎮(zhèn),各種權(quán)力交織碾壓公平正義。李維杰的大女兒平平(許文珊 飾)被督察長(zhǎng)拉韞(陳沖 飾)的兒子素察(邊天揚(yáng) 飾)迷奸,因反抗誤殺對(duì)方。李維杰曾親眼目睹督察長(zhǎng)濫用私刑,深知法律無(wú)用,為了維護(hù)女兒,捍衛(wèi)家人,李維杰埋尸掩蓋一切證據(jù),在時(shí)間與空間的交錯(cuò)縫隙中,與警方在身心層面,展開(kāi)了殊死一搏的較量。
超狗任務(wù)
杰森·李,艾米·亞當(dāng)斯,彼特·丁拉基,詹姆斯·貝魯什,帕特里克·沃伯頓超人狗最初是一條在警隊(duì)服役的普通小獵犬,因?yàn)閳?zhí)行任務(wù)時(shí)的一次嚴(yán)重失誤,被革職。流落街頭的小獵犬被捉到一個(gè)動(dòng)物研究所,邪惡的西蒙(彼德?定克拉吉 飾)博士在那里對(duì)流浪狗進(jìn)行試驗(yàn),希望能創(chuàng)造出一條超人狗?! ⌒~C犬大鬧實(shí)驗(yàn)室,陰差陽(yáng)錯(cuò)成了超人狗,并逃了出去。研究所的一個(gè)保安在下班的時(shí)候遇見(jiàn)超人狗,并把它帶回家,希望借此改善和兒子的關(guān)系。 在家里,超人狗發(fā)現(xiàn)自己不但力量強(qiáng)大、速度驚人,而且還能說(shuō)話和飛翔。在保安之子的鼓勵(lì)下,超人狗決定用自己的力量服務(wù)社會(huì),與此同時(shí),邪惡的西蒙博士則在琢磨怎么奪回超人狗,還計(jì)劃著一個(gè)陰險(xiǎn)的陰謀……