性展覽
歌樂汀 bull;貝卡瑞（Claudine Beccarie），法國20世紀(jì)70年代當(dāng)紅大人影片明星。她14歲時險遭警察強(qiáng)暴，隨后離家出走前往西班牙，在妓院賣身為生。在此之后，歌樂汀拍攝大量大人影片，1975年以她為中心拍攝的《性展覽》更將其推向巔峰。1976年以降，歌樂汀逐漸淡出大人影片圈，開始轉(zhuǎn)向B級剝削片的拍攝，曾在多部納粹題材影片中出演角色。 本片將鏡頭聚焦這個傳奇女性，引領(lǐng)觀眾走入她的內(nèi)心世界，了解她的過去、愛情、家庭、思想以及整個法國大人影片工業(yè)的發(fā)展情況，其中更有大人片拍攝過程的真實(shí)記錄
劇情簡介
歌樂汀 bull;貝卡瑞（Claudine Beccarie），法國20世紀(jì)70年代當(dāng)紅大人影片明星。她14歲時險遭警察強(qiáng)暴，隨后離家出走前往西班牙，在妓院賣身為生。在此之后，歌樂汀拍攝大量大人影片，1975年以她為中心拍攝的《性展覽》更將其推向巔峰。1976年以降，歌樂汀逐漸淡出大人影片圈，開始轉(zhuǎn)向B級剝削片的拍攝，曾在多部納粹題材影片中出演角色。 本片將鏡頭聚焦這個傳奇女性，引領(lǐng)觀眾走入她的內(nèi)心世界，了解她的過去、愛情、家庭、思想以及整個法國大人影片工業(yè)的發(fā)展情況，其中更有大人片拍攝過程的真實(shí)記錄
為你推薦
神來電
尼古洛·格維尼阿什維利,尼卡·貢加澤年輕的貢嘎和他的表弟巴特在一個廢品場里意外發(fā)現(xiàn)了一個裝滿生銹十字架的手提箱。巴特靈機(jī)一動，決定將這些十字架改造成霓虹十字架，并逐戶向第比利斯的居民推銷。他們在城市郊區(qū)的漫游因此變成了一場尋找愛情與友情的冒險。
英宮艷史
查爾斯·勞頓,羅伯特·多納特,富蘭克林·迪亞爾,邁爾斯·曼德,勞倫斯·漢雷故事開始于十六世紀(jì)初，因為皇后凱瑟琳（賓妮·巴尼斯 Binnie Barnes 飾）無法生育，英國國王亨利八世（查爾斯·勞頓 Charles Laughton 飾）同她離婚，另娶了名為恩尼（梅爾·奧勃朗 Merle Oberon 飾）的女子為皇后，哪知道野心勃勃的恩尼整天盤算著推翻丈夫的統(tǒng)治自立為王，當(dāng)她的陰謀敗露之后，亨利八世親手將她送上了斷頭臺。恩尼死后，亨利八世娶了奇恩（溫迪·巴里 Wendy Barrie 飾）為妻，哪知道在生產(chǎn)時，奇恩因為難產(chǎn)而死，只留下了一個可憐的嬰兒威爾斯（邁爾斯·曼德 Miles Mander 飾）。之后，大臣們想要國王迎娶德國公主，可這一次，國王駁回了大臣們的請求。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
大亂斗之少年覺醒
趙奕欽,葉子淇,趙蘊(yùn)卓,陳昊明,趙浩杰《大亂斗之少年覺醒》講述的是瘦弱少年林默（趙弈欽飾）一直愛慕學(xué)校劍道部美女部長羅小丸（葉子淇 飾）卻一直不敢表白，因為性格懦弱飽受校霸的欺負(fù)，擁有神秘力量的他在天才蘿莉小野（趙蘊(yùn)卓 飾）的幫助下努力修煉自己，一步步變強(qiáng)大，為了守護(hù)羅小丸和小野同黑暗勢力斗爭的故事。
皇家次子女秘密組織
格雷格·布瑞克,艾洛蒂·袁,斯蓋拉·阿斯丁,佩頓·伊麗莎白·李,奈爾斯·菲奇,阿什利·廖,伊莎貝拉·布萊克·托馬斯,諾亞·羅麥克斯,賈斯達(dá)達(dá),Derry Robinson,Olivia Deeble,Kenny Wong,Seth Mohan,Jadiel Dowlin,Xavier Schoppel一個現(xiàn)代王國Illyria的公主Sam，性格叛逆，是王位的第二繼承人。正當(dāng)Sam對王位的漠不關(guān)心值達(dá)到人生新高時，她驚訝地發(fā)現(xiàn)自己有超能力，而且屬于一個長期以來偷偷摸摸保護(hù)全國和平的秘密組織。影片聚焦Sam的歷險：她加入了這個屬于最高機(jī)密的訓(xùn)練項目，目的是訓(xùn)練皇室的次子女們來肩負(fù)拯救世界的任務(wù)。
選擇之她·他
王馨婕,陳驍,馬浚揚(yáng),林未,梁瀟雁,陳庭尉,劉海燕一個選擇，兩種人生軌跡。她的故事，還是他的真相？
暗泳
懷亞特·拉塞爾,凱瑞·康頓,艾米麗·霍菲爾,加文·沃倫,南希·利內(nèi)翰,本·辛克萊爾,喬迪·朗,埃迪·馬丁內(nèi)斯,普雷斯頓·加利,埃莉·阿萊扎,艾萬·烏塔帕,埃莉諾·T·斯雷特,以利亞·J·羅伯茨“不準(zhǔn)奔跑、不準(zhǔn)跳水，天黑以后沒有救生員值勤，不準(zhǔn)游泳?！薄 ∮捌鶕?jù)2014年拍攝的同名短片改編，內(nèi)心深處希望能夠戰(zhàn)勝病魔，再度回歸美國職棒大聯(lián)盟打球的雷（懷亞特·拉塞爾 Wyatt Russell 飾）和他的太太伊芙（凱瑞·康頓 Kerry Condon 飾）搬進(jìn)新家，后院的游泳池不僅讓孩子們玩得開心，也能夠讓他進(jìn)行物理治療，然而這棟房子陰暗神秘的過去即將釋放一股邪惡力量，把這一家人拉進(jìn)無法逃脫的恐怖深淵。