路德：落日之殤

評分：9.6 播放：97萬 更新：2026-04-23

改編自屢獲殊榮的傳奇電視劇，是一部史詩級電影版續(xù)篇。在這部影片中，一個可怕的連環(huán)殺手在倫敦肆意橫行，而才華橫溢卻聲名狼藉的偵探約翰·路德（伊德里斯·艾爾巴飾）則被關(guān)在監(jiān)獄里。由于未能抓住此刻對他落井下石的網(wǎng)絡(luò)精神病患者，路德決定不惜一切代價越獄完成這項(xiàng)工作。這部電影的主演還包括辛西婭·艾莉佛、安迪·瑟金斯和德爾莫特·克勞利，德爾莫特·克勞利將再次飾演馬丁·申克。

影片推薦

同類精選

影視排行

全力奔跑

河錫辰,金多賢,李信永,尹書彬

曾是韓國最快短跑選手的姜九榮（河錫辰 飾），因傷病、離婚、負(fù)面?zhèn)髀勏萑肷牡凸?，面臨退役危機(jī)，只剩最后一次機(jī)會挽回?fù)磹邸⒅厥皹s光；同時，熱血高中生姜勝烈（李信永 飾）為追求心儀的女孩智恩，踏上短跑之路全力沖刺。兩代跑者的人生在賽道上交集，在速度與熱愛中完成自我救贖，致敬韓國田徑的塵封紀(jì)錄。

非禮勿視2

卡恩,丹妮爾·哈麗絲,凱瑟琳·伊莎貝爾,卡吉-埃里克·埃里克森,切蘭·西蒙斯,格雷斯頓·霍爾特,李·馬賈道布,Michael Eklund,Reese Alexander,Kelly-Ruth Mercier,Lynn Colliar,Nancy Bell,克里斯蒂娜·懷道爾,Samantha Noble,史蒂文·維德勒

　　某座城市的驗(yàn)尸房，艾米（丹妮爾·哈麗絲 Danielle Harris 飾）行色匆匆，準(zhǔn)備參加親朋為她準(zhǔn)備的生日派對。而就在此時，慘無人道的大屠殺在城中另一個角落發(fā)生，九人遇害，而屠戮他們的兇手雅克布·古德奈特（Glen Jacobs 格蘭·“凱恩”·雅克布 飾）也在救護(hù)車上咽下最后一口氣。眼看派對泡湯，艾米只得和同事賽斯（卡吉-埃里克·埃里克森 Kaj-Erik Eriksen 飾）打起精神準(zhǔn)備接收送來的尸體。而就在此時，艾米的哥哥威爾（格里斯頓·霍爾特 Greyston Holt 飾）帶著凱拉（切蘭·西蒙斯 Chelan Simmons 飾）、塔瑪拉（凱瑟琳·伊莎貝爾 Katharine Isabelle 飾）等好友潛入驗(yàn)尸房，精心為妹妹準(zhǔn)備了盛大歡快的派對?！　∧懘笸秊榈哪信畟兛v情歌舞，卻不料雅各布已悄然醒來……

廢世界

　　故事設(shè)定在《廢頭》世界的1042年前，以機(jī)器人“羅賓”作為主角。羅賓原本作為護(hù)衛(wèi)，隨同調(diào)查隊(duì)長特里斯前往地下世界調(diào)查異常情況。盡管肩負(fù)保護(hù)特里斯的使命，但調(diào)查隊(duì)卻遭到了人工生命體馬里甘的邪教組織“吉拉教”的襲擊。在壓倒性的戰(zhàn)力差距下，調(diào)查隊(duì)陷入苦戰(zhàn)。然而，在這場激烈的交鋒中，他們發(fā)現(xiàn)了次元的扭曲，并逐步揭開地下世界隱藏的秘密與異變的真相。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.