美狄亞

? 6.4 播放：12萬 2026-04-24

伊阿宋是國(guó)王埃宋的兒子，埃宋的弟弟珀利阿斯篡奪了王位，伊阿宋則被半人半馬的喀戎撫養(yǎng)大人。長(zhǎng)大后的伊阿宋回到王國(guó)，向叔叔要回王位。而叔叔要求他完成一個(gè)任務(wù)奪取金羊毛，只要伊阿宋能做到，叔叔就把王位讓出來。伊阿宋率領(lǐng)著希臘眾英雄一路遠(yuǎn)去，來到了金羊毛所在地科爾喀斯。美狄亞（瑪麗亞 卡拉斯 Maria Callas 飾）是科爾喀斯城邦國(guó)王的女兒，她愛上了伊阿宋，于是盜取金羊毛獻(xiàn)給了伊阿宋。她背叛父親、殺死弟弟，不惜舍棄一切，也要跟伊阿宋遠(yuǎn)走高飛，到遙遠(yuǎn)的國(guó)度一同生活。 　然而十年后，伊阿宋不再愛美狄亞，他為了和別國(guó)公主結(jié)婚而拋棄美狄亞和他們的兩個(gè)兒子。滿腔怒火、悲痛欲絕的美狄亞決定向伊阿宋復(fù)仇，她用巫術(shù)殺死了國(guó)王父女，還把自己兩個(gè)兒子親手殺死 　

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? 播放 美狄亞

劇情提要

伊阿宋是國(guó)王埃宋的兒子，埃宋的弟弟珀利阿斯篡奪了王位，伊阿宋則被半人半馬的喀戎撫養(yǎng)大人。長(zhǎng)大后的伊阿宋回到王國(guó)，向叔叔要回王位。而叔叔要求他完成一個(gè)任務(wù)奪取金羊毛，只要伊阿宋能做到，叔叔就把王位讓出來。伊阿宋率領(lǐng)著希臘眾英雄一路遠(yuǎn)去，來到了金羊毛所在地科爾喀斯。美狄亞（瑪麗亞 卡拉斯 Maria Callas 飾）是科爾喀斯城邦國(guó)王的女兒，她愛上了伊阿宋，于是盜取金羊毛獻(xiàn)給了伊阿宋。她背叛父親、殺死弟弟，不惜舍棄一切，也要跟伊阿宋遠(yuǎn)走高飛，到遙遠(yuǎn)的國(guó)度一同生活。 　然而十年后，伊阿宋不再愛美狄亞，他為了和別國(guó)公主結(jié)婚而拋棄美狄亞和他們的兩個(gè)兒子。滿腔怒火、悲痛欲絕的美狄亞決定向伊阿宋復(fù)仇，她用巫術(shù)殺死了國(guó)王父女，還把自己兩個(gè)兒子親手殺死 　

幕后花絮

不實(shí)夢(mèng)境

　　Lucid Dreaming forces the dreamer's dreamworld to merge with his waking one. But at what cost to the dreamer's grasp on reality? Dreams are doorways, but what are they really for? And, if you feel you must know, beware the TRICKSTER.

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.