劇情簡(jiǎn)介
年近三十的日本人三木因職務(wù)問題,被公司調(diào)派到香港,但來到香港后只能做一個(gè)平凡小職員,生活相當(dāng)乏味。為了慶祝三十歲生日,他決定在六月三十日香港回歸的晚上,托朋友介紹找自己心儀的三級(jí)脫星Joey陪他過夜。當(dāng)他正想享受溫柔鄉(xiāng)的時(shí)候,才發(fā)覺欠缺最重要的安全套,于是回歸夜所發(fā)生的荒唐事情,都是安全套惹的禍…….
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馬丁·拉波德,Michael Finger,Claude-Oliver Rudolph23世紀(jì)中葉,地球已進(jìn)入全面崩潰的階段,戰(zhàn)爭(zhēng)和傳染病讓這顆原本美麗的藍(lán)色星球破爛不堪,人類被迫離開賴以生存的家園,遠(yuǎn)赴外太空尋找新的棲息地。憑借TSA先進(jìn)的技術(shù),木衛(wèi)五成為充滿希望的新興樂土。在此之后,大批地球人乘坐飛船前往木衛(wèi)五,地球逐漸被人遺忘?! ∪欢驮诖藭r(shí),不斷有人起來反抗,聲稱要推翻TSA利用機(jī)器對(duì)人類的麻醉和統(tǒng)治,并據(jù)此不斷向空間站發(fā)起恐怖襲擊。美麗的勞拉·波特曼博士(Anna-Katharina Schwabroh 飾)隨一艘貨船前去空間站看望親人。在長(zhǎng)達(dá)4個(gè)月的旅途中,大部分人需進(jìn)入睡眠狀態(tài)。勞拉擔(dān)任了值班的任務(wù),然而在這靜寂的飛船里,似乎有其他人在暗中窺視著她。一樁樁陰謀漸漸浮出水面……
玉米地的小孩:大逃亡
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血腥兄弟會(huì)
扎克里·伯德,菲利普·安德瑞·波鐵洛,亞倫·達(dá)拉·維拉,扎克·維納,Erica Boozer,卡梅倫·考普斯威特,杰西·皮門泰爾,讓-路易·德戶勒赫,Joe Gallagher,Melanie Rothman,亞歷山卓·巴格特,Jackie Taylor,James WatsonA group of college freshmen pledge an exclusive fraternity but soon realize there's more at stake than they could have ever imagined.
空氣之魂,云之精靈
Michael Lake,Melissa Davis,Norman Boyd,Rhys Davis非常棒的超現(xiàn)實(shí)科幻片,與
人體亂碼
Michael Eklund,Karoline Herfurth,Tómas LemarquisDr Geoff Burton takes up a position at a new institute in wintry Dresden, Germany. His contribution to a former colleague’s important project, a human regeneration gene, has the potential to make something miraculous out of a personal tragedy that has haunted him for years. Errors of the Human Body is a psychological thriller about one man’s quest for redemption from his own disturbing past, set within the mysterious world of genetic engineering.
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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
最佳女婿
張學(xué)友,周星馳,莫少聰,張敏,吳耀漢,沈殿霞,梁榮忠,胡楓,廖啟智,鄭欣宜美發(fā)師紀(jì)阿開(張學(xué)友)、服裝設(shè)計(jì)師大眼龍(莫少聰)和風(fēng)水師賴布?。ㄖ苄邱Y)三個(gè)死黨合伙開了一家新潮美發(fā)店,不料開業(yè)當(dāng)天就與隔壁理發(fā)店老板發(fā)生爭(zhēng)執(zhí),幸得店老板女兒亞英(張敏)及時(shí)出手風(fēng)波平息,過程中,三人皆被亞英魅力吸引,為贏其芳心,開始頻頻登其家門獻(xiàn)殷勤?! ∧炒瓮聿途蹠?huì)后,三人爛醉與亞英誤睡一室,導(dǎo)致亞英懷孕,為與亞英一起生活,三人爭(zhēng)先恐后將準(zhǔn)父親一職往自己身上攬,又因三人血型相同,醫(yī)院也無法驗(yàn)出誰在冒名,亞英父母決定先考察三人表現(xiàn),為爭(zhēng)當(dāng)最佳女婿,三人使盡渾身解數(shù)展開激烈角逐。