焦燥

? 5.2 播放：72萬 2026-04-22

仲夏的午后，在靜謐的墓園中，老資產(chǎn)家藤堂對著抱著母親骨灰的紗弓一見鐘情。從小缺乏父愛的紗弓，對藤堂從如父親般的仰慕之情，漸漸升華為對男人的愛與渴望。某日，紗弓在藤堂的邀請下來到別墅，意外發(fā)現(xiàn)了神秘的少…

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劇情提要

仲夏的午后，在靜謐的墓園中，老資產(chǎn)家藤堂對著抱著母親骨灰的紗弓一見鐘情。從小缺乏父愛的紗弓，對藤堂從如父親般的仰慕之情，漸漸升華為對男人的愛與渴望。某日，紗弓在藤堂的邀請下來到別墅，意外發(fā)現(xiàn)了神秘的少…

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

忘我星途

　　A narcissistic performer's world crumbles when he mysteriously loses his talent right before the biggest opportunity of his career.