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劇情提要
又名: Le insaziabili voglie della ragazza con la Rolls Royce nbsp;女主角是一個(gè)受歡迎的女演員,但也是一個(gè)性成癮者,為了滿足自己的慾望,她決定跟著她的司機(jī),開(kāi)著她名貴的勞斯萊斯勞斯,奔馳在美麗的鄉(xiāng)村理,女主角裸體坐在后排乘客座椅,透過(guò)玻璃車(chē)窗,找尋能滿足她慾望的目標(biāo)..... 屬于.........
暗夜精選
惡鬼病毒
村重杏奈,太田將熙,桑山隆太,華村飛鳥(niǎo),吉田伶香,角由紀(jì)子,鳥(niǎo)之海凪紗,田中要次A-1頭條
李心潔,黃秋生,陳冠希,葛民輝,林家棟,梁家輝鬼姐姐
Amphaiphun Phommapunya,Vilouna Phetmany,Tambet Tuisk,Manivanh Boulom,Yannawoutthi Chanthalungsy,Maluly Chanthalangsy,Brandon Hashimoto,Naliphone Siviengxay,Douangmany Soliphanh,Maneevone Chanthalungsy,Danouphonh Chanthakoummane,Oudomphone Pholsena,Namsoke禪武門(mén)
張玲,鄭少秋,田豐,王俠蓋爾:黃磚路
Chlo? Crump,Hassan Taj,Laura Kay Bailey勾魂谷
杰米·貝爾,Kris Marshall,Matthew Rhys,Andy Serkis,Hans Matheson梅根失蹤
安伯·珀金斯,蕾切爾·奎恩,迪恩·維特,Jael Elizabeth Steinmeyer,王仲欣,Brittany Hingle,Carolina Sabate,Trigve Hagen,Rudy Galvan,艾普爾·斯圖瓦特,John K. Frazier,Tammy Klein,Lauren Leah Mitchell,Jon Simonelli,Craig Stoa,尼基·克里斯蒂,安德魯·道布勒同系列推薦
丟失的彩票
翁拉維·那提通,芬蒂拉·皮皮亞克隆,娜帕帕·丹特拉庫(kù)爾,蘇提拉克·素維杰拉小婦人2019
西爾莎·羅南,艾瑪·沃森,弗洛倫絲·皮尤,伊萊扎·斯坎倫,勞拉·鄧恩,提莫西·查拉梅,梅麗爾·斯特里普,鮑勃·奧登科克,詹姆斯·諾頓,路易·加瑞爾,克里斯·庫(kù)珀,崔西·萊茨,艾比·奎因,薩莎·弗羅洛娃,莉莉·恩格勒特,愛(ài)德華德·弗萊徹,杰妮·霍蒂謝爾,多梅尼克·阿爾迪諾,湯姆·斯特拉特福,托馬斯·馬里亞諾,哈德莉·羅賓遜,杰米·加扎里安大熊
亞當(dāng)·布羅迪,泰勒·萊伯恩,巴勃羅·施瑞博爾,托比·哈斯,喬伊·科恩,扎克里·奈頓,Heidi Heaslet毛骨悚然撞鬼經(jīng) 2012夏季特別篇
山下智久,岡田將生,香里奈,剛力彩芽,スギちゃん,稻垣吾郎,本田翼,堀內(nèi)敬子,蓮佛美沙子,洼田正孝,橋本真實(shí),菅田將暉,高橋光臣,手塚理美,木南晴夏,池津祥子陰目偵信
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阿麗莎·威爾,梅麗莎·巴雷拉,丹·史蒂文斯,凱瑟琳·紐頓,凱文·杜蘭,吉安卡羅·埃斯波西托,安格斯·克勞德,威廉·卡特列特,馬修·古迪幕后花絮
日夜男女
一對(duì)從外地來(lái)到北京打拼的陌生男女由于被騙不得已合租一間地下室,并同睡一張床引發(fā)的一段啼笑皆非的故事,與其他合租不同的是兩人分時(shí)段合租,男孩晚上住,女孩白天住。那么兩人如何被騙,又是怎樣住在一起,女孩晚上又在做什么?而當(dāng)這張床又被笨賊盯上,幾人圍繞這張床又會(huì)發(fā)生怎樣出人意料的故事呢?很快我們就能得到答案。 該劇針對(duì)性強(qiáng),受眾度廣,笑點(diǎn)密集,情節(jié)曲折幽默,搞笑而不搞怪,通俗而不低俗。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.