新傾國(guó)傾城

6.6 播放：13萬(wàn) 更新：2026-04-23

古裝宮庭艷情喜劇，唐朝天寶年間，安史之亂，當(dāng)朝天子李龍基和妃子楊玉環(huán)，被逼出走，身邊只帶老將郭子儀及曹?chē)?guó)舅，郭子儀平時(shí)滴酒不沾，但酒後則拿刀四處破壞，而曹?chē)?guó)舅於風(fēng)雨之夜就失去常xing，便成為摧花殺手，民間也處處姦y-婦釹，荒逸無(wú)度，而身為九五之尊的皇上，亦因?yàn)樽陨碇?yáng)具太短而失信心。幾人最後逃至安長(zhǎng)村，得悉村內(nèi)有華陀後人，能使陽(yáng)具起死回生，決定一試穴隆陽(yáng)大法手術(shù)，怎料鈡途出了意外，封著血道的金針鬆脫，結(jié)果還成功完成，增長(zhǎng)增大增強(qiáng)，作愛(ài)稱心得意，並平定安祿shan造反....... 　　

即刻觀影

劇情賞析

古裝宮庭艷情喜劇，唐朝天寶年間，安史之亂，當(dāng)朝天子李龍基和妃子楊玉環(huán)，被逼出走，身邊只帶老將郭子儀及曹?chē)?guó)舅，郭子儀平時(shí)滴酒不沾，但酒後則拿刀四處破壞，而曹?chē)?guó)舅於風(fēng)雨之夜就失去常xing，便成為摧花殺手，民間也處處姦y-婦釹，荒逸無(wú)度，而身為九五之尊的皇上，亦因?yàn)樽陨碇?yáng)具太短而失信心。幾人最後逃至安長(zhǎng)村，得悉村內(nèi)有華陀後人，能使陽(yáng)具起死回生，決定一試穴隆陽(yáng)大法手術(shù)，怎料鈡途出了意外，封著血道的金針鬆脫，結(jié)果還成功完成，增長(zhǎng)增大增強(qiáng)，作愛(ài)稱心得意，並平定安祿shan造反....... 　　

編輯推薦

大奧普里圣誕夜

莎朗·勞倫斯,克里斯托弗·普拉哈,妮基·迪洛許,詹姆斯·丹頓,盧克·本沃德,羅勃·梅耶斯,布拉德·派斯里,比爾·安德森,帕姆·蒂利斯,Megan Moroney,米奇·蓋頓

　　Gentry Wade, who gave up music after her father's death decades ago must confront her past when Nashville's Grand Ole Opry invites her to honor her late country star dad at their Christmas celebration.

柏林危機(jī)

湯姆·弗拉席亞,瑪莎 萊奧妮 巴赫,肯·杜肯,理查德·艾沃特,艾米莉·普拉斯-琳克,基達(dá)·拉馬丹,蒂姆·維爾德

　　德國(guó)男星肯·杜肯自導(dǎo)自演的驚悚片處女作，精神創(chuàng)傷的精英戰(zhàn)士在前往柏林探望女兒的途中搭載了一名面善的攔車(chē)者，卻沒(méi)料到后者正醞釀著一起柏林恐怖襲擊。伴隨多次視角轉(zhuǎn)換和對(duì)善惡?jiǎn)栴}的拷問(wèn)，在逐步揭開(kāi)極端的意識(shí)形態(tài)深淵的同時(shí)，兩名主角最終將故事引向意外結(jié)局。

冰雪之行

馬特·波莫,喬什·維金斯,比爾·普爾曼,亞歷克斯·諾伊施泰特,莉莉·格萊斯頓,肯·懷特,斯科特·麥克米利恩

　　父親與少年關(guān)系生疏，兩人決定以一次狩獵之行緩釋心結(jié)，然而深藏在森林中的灰熊，卻早已為他們埋下了生存危機(jī)。

全境災(zāi)變

伊芙·詹姆斯 Eve James,坎農(nóng)·史密斯 Kannon Smith,萊琳·麥克 Lelyn Mac

　　在一場(chǎng)死亡率不是1%，而是98%左右的疫情之后，艾莉離開(kāi)了她的街區(qū)，到了一個(gè)新的城市，在那里她遇到了奎恩，一個(gè)對(duì)新世界有獨(dú)特生存之道的人。

孤獨(dú)監(jiān)禁

大衛(wèi)·奧伊羅,魯奇婭·伯納德,吉米·費(fèi)爾斯,奧利維亞·華盛頓,托馬斯·卡德羅特,亞歷山大·索托,Naomi Simpson,瑞恩·馬爾凱,Gerardo Barcala,凱特·蓋多西克,Trell Isaac,Julie Nolin,Matthew Mylrea,Aiden Stoxx,Alexander Davis,Glenn Hoffmann,巴里·佩珀,Nigel Gentry,Gavin Turnbull,Yorkie Joaquin

 A man in solitary confinement for seven years comes out into a world of self-isolation.

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster