劇情縱覽
春電影公司制作的《男與女》,故事講述一對(duì)男女在異國(guó)相遇后,沉溺於禁忌愛(ài)戀的故事。本片由《精彩的一天》、《愛(ài),不愛(ài)》的導(dǎo)演李潤(rùn)基執(zhí)導(dǎo)??踪э椦菽兄鹘腔?,是出道以來(lái)首次挑戰(zhàn)激情戲。全度妍則飾演尚敏,是出於對(duì)春電影公司和李潤(rùn)基導(dǎo)演的信任,,接受此一挑戰(zhàn)。
春電影公司制作的《男與女》,故事講述一對(duì)男女在異國(guó)相遇后,沉溺於禁忌愛(ài)戀的故事。本片由《精彩的一天》、《愛(ài),不愛(ài)》的導(dǎo)演李潤(rùn)基執(zhí)導(dǎo)??踪э椦菽兄鹘腔?,是出道以來(lái)首次挑戰(zhàn)激情戲。全度妍則飾演尚敏,是出於對(duì)春電影公司和李潤(rùn)基導(dǎo)演的信任,,接受此一挑戰(zhàn)。
本片是美國(guó)50年代一部?jī)?yōu)秀的科幻片。導(dǎo)演Jack Arnold運(yùn)用特效,讓一只小小的蜘蛛在銀屏上變成一只體形龐大的塔蘭圖拉毒蛛。影片中的塔蘭圖拉毒蛛是一只十分可怕的怪獸,它四處破壞,但始終免不了滅亡的命運(yùn)?! 〗?jīng)典科幻片,強(qiáng)烈推薦!
未來(lái),人們對(duì)資源的需求越來(lái)越大,可是地球上的資源已經(jīng)不能再滿足人類。于是地球上爆發(fā)了資源危機(jī),并險(xiǎn)些引發(fā)戰(zhàn)爭(zhēng)。唯一能阻止戰(zhàn)爭(zhēng)的只有空間站上的粒子加速器,如果實(shí)驗(yàn)成功,粒子加速器成功運(yùn)轉(zhuǎn),那么它就能讓人們用上源源不斷的資源??墒窃谝淮瘟W蛹铀倨饕馔馐录螅厍蛘麄€(gè)消失了,空間站上的宇航員開(kāi)始試圖弄清楚在他們身上發(fā)生了什么。但隨著事情的一點(diǎn)點(diǎn)深入,真相慢慢浮現(xiàn),更奇怪的事情也隨之出現(xiàn)。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
致力于研究暴力行為根源的世界著名心理學(xué)家阿曼達(dá)·泰勒博士,有一個(gè)訪談和評(píng)估死囚杰克遜·謝伊的良機(jī),隨著訪談的開(kāi)始,決定杰克命運(yùn)的天平失去了平衡,阿曼達(dá)必須決定是否應(yīng)該允許執(zhí)行死刑!