影片推薦
千億之吻
段天恩,黎春進(jìn),麻蘭都,秋莊,范進(jìn)祿洞穴客
John Abbott,諾亞·海瑟威,David Comfort,Michael Mancini功夫機器俠之南拳
陳虎,王智侏羅紀(jì)統(tǒng)治
Eric Roberts,Jack Pearson,Jamie Bernadette情感價值
雷娜特·賴因斯夫,斯特蘭·斯卡斯加德,英加·伊布斯多特·莉莉亞斯,艾麗·范寧,安德斯·丹尼爾森·李,加斯帕·克里斯滕森,萊娜·恩卓,科里·邁克爾·史密斯,凱瑟琳·科恩,Andreas Stoltenberg Granerud,?yvind Hesjedal Loven,拉斯·瓦林格,Ida Marianne Vassbotn Klasson,Vilde S?yland,Sigrid Lorentzen Abelsnes,Mari Strand Ferstad,Eiril Tormodsdatter Sol大明嬪妃之選秀
何杜娟,關(guān)慧卿,思漩,陳一諾,王春妹,朱一龍同類精選
地縛
拉菲·斯波,詹·穆瑞,大衛(wèi)·莫瑞瑟檢事霞夕子~無關(guān)系的死~
沢口靖子,西村和彥,神保悟志,石丸謙二郎,いしのようこ,川野太郎,ダンカン,松原智恵子,手塚理美四重唱
瑪吉·史密斯,湯姆·康特奈,比利·康諾利,保利娜·科林斯,邁克爾·剛本,謝里丹·史密斯,安德魯·薩克斯,格溫妮絲·瓊斯,特雷弗·皮科克,大衛(wèi)·萊爾,邁克爾·伯恩,羅尼·??怂?帕特里夏·洛夫蘭德,伊琳·珀威爾,盧克·紐伯里弗蘭茨
伊丹·魏斯,彼得·庫爾特,耶諾夫法·波科娃,伊凡·特洛伊,Sandra Korzeniak,卡塔琳娜·斯塔克,塞巴斯蒂安·施瓦茨,亞倫·弗里斯,卡羅爾·舒勒,Gesa Shermuly,揚·布達(dá)爾,約瑟夫·特洛伊,卡雷爾·多布雷,Daniel Dongres,René Hofschneider,米哈爾·伊斯特尼克,弗拉迪米爾·雅沃爾斯基,Václav Jirácek,Michal Kern,Stepán Klán愛爾蘭式告別
米歇爾·費爾利,帕迪·詹金斯,James Martin,謝默斯·奧哈拉穿越者之異夢空間
馬文強,寧丹琳,果靜林影視排行
毛骨悚然撞鬼經(jīng) 15周年特別篇
稻垣吾郎,草彅剛,北乃綺,坂上忍,石原里美,小池徹平,桐谷美玲,菜菜緒,黑木瞳,町田啟太,剛力彩芽,島崎遙香,廣瀨愛麗絲,藤本泉S銅山的女人:失意的保險公司業(yè)務(wù)員山邊夏美(石原里美 飾)和同僚桑原(小池徹平 飾)在歸途中誤入被封閉多年的S銅礦山,由此遭遇了一連串恐怖的詭異事件;小智:被情感困擾的女孩里奈(剛力彩芽 飾)按照都市傳說給自己的手機打了電話,并連念三遍“小智”,希望解開心中疑惑,誰知此后卻被小智纏上;兇手是誰:看似陰沉的派遣職員熊谷(北乃紀(jì)伊 飾)自稱能夠看到別人看不到的真相,她的上司三澤健太(草剪剛 飾)起初并不相信,但接連的事實讓他大為震驚;誘惑的森林:小葵(島崎遙香 飾)和朋友結(jié)菜(廣瀨愛麗絲 飾)去山里游玩,山中一間老舊的廁所卻帶給她們最恐怖的回憶;把手給我:勤奮的OL瀧本理沙(桐谷美玲 飾)不知何時與同學(xué)兼同事的好友雅美(菜菜緒 飾)關(guān)系變差,壓力巨大的她發(fā)現(xiàn)每晚都有一只手緊緊抓住她的胳膊;出租車司機的自述:老實的出租車司機中川(坂上忍 飾)在晚上載了一位要去很遠(yuǎn)地方的女客人,但是這位客人竟是如此沉默;黑暗中的視覺:人過中年的森川千尋(黑木瞳 飾)在一家工廠找到工作,擁有天眼的她看到了許多的鬼魂。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
跳出去
張雨綺,立威廉,姚文雪,袁祥仁,彭敬慈,馮勉恒,吳彥祖,李尚正,高寶云農(nóng)村姑娘彩鳳(張雨綺 飾)跟同伴來到一家號稱哈佛畢業(yè)生開的診所,希望可以通過整容手術(shù)變漂亮,但是整容醫(yī)生(吳彥祖 飾)的拙劣表現(xiàn),令她們無功而返。后來,兩人擠上了開往上海的貨車。來到大城市,人生地不熟,彩鳳卻對大屏幕里的街舞情有獨鐘,原來她也曾經(jīng)是鄉(xiāng)舞蹈隊的一員。然而,現(xiàn)實的壓力卻讓她只能把夢想暗藏心底。一次偶然的機會,她進(jìn)入了朗(立威廉 飾)所開的紅星公司,雖然工作是清潔工,但可以有機會接觸到街舞,讓她非常興奮,時常默默練習(xí)。朗是公司老板,富家子弟,每天周旋于紅男綠女之間,希望通過街舞大賽幫公司創(chuàng)品牌。他遇到彩鳳后,被她對街舞的執(zhí)著打動,便提供了一個機會,希望幫她實現(xiàn)夢想。然而,因為一次誤會,令彩鳳傷心地回到了家鄉(xiāng)。她還能有機會站在五光十色的舞臺上實現(xiàn)夢想嗎?
恐龍·怪鳥的傳說
渡瀬恒彥,林彰太郎,沢野火子,津島智子,牧冬吉『ジョーズ』を発端にしたパニック映畫ブームにあやかり東映が発表した作品。富士五湖の中でも地味な西湖、精進(jìn)湖を舞臺に、一大スペクタクルが展開する。