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冰雪之行
馬特·波莫,喬什·維金斯,比爾·普爾曼,亞歷克斯·諾伊施泰特,莉莉·格萊斯頓,肯·懷特,斯科特·麥克米利恩X誰嫁誰噶了誰
露西·海爾,維吉尼亞·加德納,布魯克·尼文,薩默·薩利姆,Bethany Brown,杰瑞·蒂納科,杰迪代亞·古達克,Brendan Morgan,Haley Victoria Hunt,RJ·費瑟斯頓豪,勞拉·延加,斯賓塞·博爾格森,Edem Nyamadi,Pete MacLeod,Brad Abramenko,Kyle Mosonyi,Cam Woodman,Sequoia Wiseman,肯德拉·赫斯凱特,韋恩·科貝伊奇跡男孩
雅各布·特倫布萊,朱莉婭·羅伯茨,伊扎貝拉·維多維奇,歐文·威爾遜,諾亞·尤佩,丹妮爾·羅絲·拉塞爾,納吉·杰特,戴維德·迪格斯,曼迪·帕廷金,布萊斯·吉扎爾,艾爾·麥金農(nóng),泰·孔西利奧,詹姆斯·休斯,凱爾·布瑞特科夫,米莉·戴維斯,莉婭·朱厄特,凱琳·布瑞特科夫,利亞姆·迪金森,艾瑪·特倫布萊,馬克·多茲勞,魯奇婭·伯納德,J·道格拉斯·斯圖瓦特,阿里·利伯特,埃麗卡·麥基特里克,本·伊曼紐爾,杰森·麥金農(nóng),索尼婭·布拉加,吉潔特三國的星空第一部
檀健次,路金波,旺旺,任俊鵬,楊衛(wèi),良生,方浩然,沉寂,囧森瑟夫,一舟,肖合來提·艾尼,巽辰,易中天,李瀟宇,蔣鉦圣,陳一伊,何梓騫53個周日
亞歷山德拉·希門內(nèi)斯,卡門·馬奇,哈維爾·古鐵雷斯,哈維爾·卡馬拉恐懼之靈
Christopher Lee Page,Kevin Bohleber,Jordinn Ballenger同類推薦
星河戰(zhàn)隊
卡斯帕·范·迪恩,迪娜·邁耶,丹妮絲·理查茲,杰克·布塞,尼爾·帕特里克·哈里斯,克蘭西·布朗,塞斯·吉列姆,帕特里克·茂頓,邁克爾·艾恩塞德,露·麥克拉納罕,馬紹爾·貝爾,埃里克·布魯斯科特爾,馬特·萊文,布蕾克·林斯利,安東尼·瑞維瓦,布蘭達·斯特朗,迪恩·諾里斯,克里斯托弗·柯里,萊諾爾·卡斯多夫,羅伯特·斯莫特,斯蒂芬·福特,羅伯特·大衛(wèi)·豪爾,艾米·斯馬特,蒂莫西·奧門德森,代爾·戴高中生瑞科(卡斯帕?凡?迪恩 Casper Van Dien 飾)畢業(yè)后,在女友卡門(丹妮絲?理查茲 Denise Richards 飾)的鼓動下,違背了父親的意志,加入了機械化步兵學院,卡門亦加入了海軍學院?! ≡谒麄儏⒓佑柧毑痪煤?,地球遭到了來自外星球的昆蟲襲擊。瑞科的親人均慘遭殺害,卡門將拍攝到的影像傳送給了瑞科。悲憤交加的瑞科率領部下投入到了對抗外星昆蟲的戰(zhàn)斗中?! ∪欢?,軍隊低估了這些昆蟲的實力。在一次遭遇戰(zhàn)中,10萬軍隊慘遭殺戮,只剩瑞科、卡門等幾人僥幸逃生。瑞科親眼目睹了恐怖的殺戮場面,意外獲知了這些昆蟲變得如此聰明、強大的秘密。瑞科意識到必須制造更先進的武器才能對付這些昆蟲,人類的反擊開始了!
爆彈
山田裕貴,伊藤沙莉,染谷將太,渡部篤郎,佐藤二朗一個神秘中年男子醉酒后襲擊了一臺自動售貨機和便利店店員,被警方拘留。他聲稱自己擁有超能力,并預測東京將有炸彈。從秋葉原爆炸事件算起,他預測接下來還會有三次爆炸,間隔一小時。隨后,他一邊回避著警察的詢問,一邊問一些有關炸彈的神秘“問題”。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
防彈武僧
周潤發(fā),西恩·威廉·斯科特,杰米·金,卡瑞爾·羅登,維多莉亞·斯莫費特,巖松信,袁之正,克里斯·柯林斯,肖恩·貝爾,羅布·阿切爾,袁羅素,保羅·福托,Suresh John,查得卡米列里,約翰·麥克唐納,馬特伯爾曼,Henry Korhonen,Lloyd Adams,Tommy Chang,Alan Tang,林益盛,Michael Cameron,麥克·多普德,Patrick Hagarty,Joyce Kirkconnell,邁克爾·塞爾切基一卷神秘的中國古代卷軸,由于蘊藏著巨大的力量,邪惡的壞蛋們個個都想得到它來統(tǒng)治世界;一個來自中國西藏的無名武僧(周潤發(fā) 飾),為了保護著卷卷軸,一直過著顛沛流離的生活,他幾乎躲遍了世界的每一個角落。直到有一天,武僧覺得累了,于是,他開始物色合適的人成為自己的弟子,將這個艱巨的任務繼承下去。街頭混混卡爾(西恩?威廉?斯科特 Seann William Scott 飾)偶然中幫武僧解了圍,或許是心靈感應,武僧感應到這個混小子就是自己的傳人了,于是決定將一身武功傳給卡爾??栭_始了他對抗邪惡的艱難宿命。
天出血
常戎,蓋麗麗,于紹康,楊兆泉,洪濤沙漠里流傳著一句話:天出血,人死絕。故事發(fā)生在舊時代的西北,這樣一片沙漠地帶,它講述了一個愛情悲劇故事。年青的問九因鄉(xiāng)鄰間缺水爭執(zhí)而出逃在外,待回來時,曾與之心心相印的秀秀姑娘已被族叔迎娶,成了他的嬸嬸。水繼續(xù)威脅著人們的生存,問九的族叔為富不仁,竟以空手能否從滾開的油鍋里撈起銅錢來決定人們在綠洲的去留,他狠毒地騙問九替他撈起銅錢卻又暗地加害問九。問九奮起抗爭,砍死了族叔,被官府捉捕。牢獄未能囚住問九渴求自由的心。他一次次尋求機會越獄。數(shù)十年后,當問九逃出虎口,卻又被沙漠里的土匪抓住逼他帶路,對秀秀的愛情支撐著問九最后的生命,他再次出逃,掙扎著爬回自己的故鄉(xiāng)。但黃沙已無情地吞噬了這里的一切,唯有刻著綠洲村的石柱還未被淹沒。問九手撫石柱瞑目在這荒原上?;脑?,彩霞滿天。天出血,人死絕。