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絕種鐵金剛
梁家輝,毛舜筠,陳小春,鐘欣潼,陳冠希,田樸珺狗心1988
葉甫根尼·耶夫斯基格涅耶夫,Vladimir Tolokonnikov,鮑里斯·普洛特尼科夫,Roman Kartsev,尼娜·魯斯拉諾娃,Evgeniy Kuznetsov,Olga Melikhova,阿列克謝·米羅諾夫,Anzhelika Nevolina,Valentina Kovel,謝爾蓋·菲利波夫,Roman Tkachuk,娜塔莉亞·拉平娜在恐懼中
伊恩·德·卡斯泰克,愛麗絲·恩格勒特,艾倫·里奇瀉湖惡棍
珍娜·卡蘭,格雷格·多爾查克,托里·埃利斯人肉炸彈
莉斯爾·阿勒斯,蕾內(nèi)·斯沃特,肖恩·卡梅倫·邁克爾7天之前
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光榮何價
大衛(wèi)·卡拉丁,Ronny Cox,蘭迪·奎德,梅林達·狄龍這部電影是伍迪·格斯的優(yōu)秀傳記,他是美國最偉大的民謠歌手之一。他在上世紀30年代離開了自己位于得克薩斯州的家,去找工作,發(fā)現(xiàn)了美國工人階級的苦難和力量。
侏羅紀公園
山姆·尼爾,勞拉·鄧恩,杰夫·高布倫,理查德·阿滕伯勒,鮑勃·佩克,馬丁·費雷羅,約瑟夫·梅澤羅,阿麗亞娜·理查茲,塞繆爾·杰克遜,黃榮亮,韋恩·奈特,杰拉爾德·R·莫倫,米蓋爾·桑多瓦爾哈蒙德(理查德?阿滕伯勒 Richard Attenborough 飾)立志要建立一個非同尋常的公園:恐龍將是這個公園的主角。他把眾多科學家收歸旗下,利用琥珀里面困住的遠古蚊子體內(nèi)的血液,提取出恐龍的基因信息,利用這些信息培育繁殖恐龍。結果如愿以償,他把怒布拉島建立成了一個恐龍公園,堅信可以從中賺取大錢。然而,科學家們則憂心忡忡?! 〔恍业氖虑楣话l(fā)生了。雖然公園有電腦系統(tǒng)管理,但卻因為被員工破壞而造成了無法挽救的失控:所有的恐龍?zhí)映隽丝刂茀^(qū),人們紛紛逃竄卻逃不過恐龍的魔爪??铸堊韵鄽垰?,人們亦死難無數(shù),最后幸存者寥寥,只得四人逃出生天。怒布拉島上空彌漫著恐怖的氣息。
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咒書遠古魔
Amir Nafis,Bidin Al ZaifaTwo friends work as cleaners whose jobs are to clean homes and places where people have died or dead bodies are found. One day, they are tasked with cleaning a house where there were three dead bodies inside. Their job is to clean the corpses that have rotted. When they arrived there, they found that there are strange things happening and then they discover a strange book.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster