切近
27歲的夏洛特總是快樂地保持著她的舒適工作和生活教兒童跳舞；與好友相聚。但是，在她家里卻是另外一番景象母親的冷淡態(tài)度以及酒鬼父親的病情。經(jīng)了解，她有個從未謀面的同父異的哥哥亨里克，現(xiàn)居奧斯陸。于是夏洛特聯(lián)系他。兩人見面后，殊不知這種無辜的關(guān)系很快變成一個自我毀滅的欲望歷程。
即刻觀影
劇情賞析
編輯推薦
破壞欲
琳娜·海蒂,理查德·詹金斯,米歇爾·鄧肯,烏爾里奇·湯姆森,梅爾維爾·珀波,阿斯?fàn)枴ぜ~曼在父親的生日宴會上，一面鏡子的突然碎裂讓吉娜（琳娜·海蒂 Lena Headey 飾）和眾人感到了深深的不安。第二天，吉娜來到工作的醫(yī)院，卻被告知就在不久之前自己剛剛離開了醫(yī)院。對于這一異象，吉娜只以為是同事眼花，但之后發(fā)生的事情卻讓她再也無法保持平靜——無論是大街上正在行駛的紅色越野車，還是車中所坐的女子，皆和吉娜完全相同。 無法控制自己好奇心的吉娜尾隨女子來到了一幢公寓，過后，吉娜遭遇了慘烈的車禍。為了療傷，吉娜開始和男友斯蒂芬（梅爾維爾·珀波 Melvil Poupaud 飾）同居，她將她的所見所聞告知了男友，后者卻認(rèn)為她不過是腦部受到了創(chuàng)傷，吉娜陷入了無盡的恐懼和懷疑之中。
斷魂小丑3
杰森·帕特里克,丹尼爾·洛巴克,大衛(wèi)·霍華德·桑頓,勞倫·拉維拉,拜斯·約翰遜,布拉德利·斯泰克爾,克里斯·杰里科,薩曼莎·斯卡菲迪,瑪格麗特·安妮·佛羅倫斯,埃利奧特·富勒姆,亞歷克薩·布萊爾·羅伯遜,Antonella Rose,克里斯·?？怂?夏洛特·麥基,西耶娜·休伯特-羅斯,奇普·卡里爾,盧西亞娜·凡德特,Annie Lederman,Kellen Raffaelo,安妮·萊德曼在經(jīng)歷了小丑阿特的萬圣節(jié)大屠殺后，西耶娜和她的兄弟正在努力重建他們破碎的生活。隨著節(jié)日的臨近，他們試圖擁抱圣誕精神，把過去的恐怖拋在腦后。但就在他們以為自己安全的時候，小丑阿特回來了，決心把他們的節(jié)日歡樂變成一場新的噩夢。隨著阿特釋放出他扭曲的恐怖，節(jié)日很快就結(jié)束了，證明沒有一個節(jié)日是安全的。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
黎明殺祭
Sylwia Boron,Monika Frajczyk,Adam Machalica,Piotr Nerlewski,盧卡什·什切帕諾夫斯基,巴特羅米耶·托帕,Paulina Zwierz暴風(fēng)雪肆虐的圣誕夜，一群年輕演員受邀前往神秘的海森霍夫家族經(jīng)營的巴洛克劇院，排演那位隱居劇作家的巔峰之作。隨著一名戴著“眼球面具”的殺手現(xiàn)身，排練演變?yōu)閼K烈的生存競賽。演員們后知后覺地發(fā)現(xiàn)，劇本中的每一幕死亡，都是一場旨在召喚反基督者的古老儀式。
玉蝎子的魔咒
John Tormey,伍迪·艾倫,海倫·亨特,查理茲·塞隆,丹·艾克羅伊德,伊麗莎白·伯克利CW?布里格斯（伍迪?艾倫飾）是20世紀(jì)40年代美國紐約著名的北海岸保險公司的最出色的保險調(diào)查員，他的拿手絕活是能窺探犯人心中所想，從而輕而易舉地破案。自從老板請來了“效率專家”貝蒂，這一切就改變了。貝蒂新官上任，帶來新的策劃新的管理方式，布里格斯成為被開刀的第一人。二人之間火藥味甚濃。在同事喬治的生日會上，他倆被魔術(shù)師叫上臺，在玉蝎子的魔力下，二人被催眠，醒來后對剛才發(fā)生的事一無所知?！ ≈蟪莾?nèi)接二連三發(fā)生珠寶盜竊事件，而被竊珠寶的報警裝置是布里格斯親手設(shè)置的，沒有他是不可能破開的。在調(diào)查案件中，肯辛頓家的尤物女兒（查理?塞隆飾）主動約他約會，他懷疑她的動機(jī)。而貝蒂請來偵探協(xié)助他調(diào)查讓他更為不快?！ ∝惖偈巧纤镜那槿?，因為老板遲遲不肯跟妻子離婚而倍感傷心。神使鬼差走到了布里格斯家跟他傾訴，布里格斯懷疑是貝蒂泄漏了公司機(jī)密，隨后貝蒂對他的示愛更令他加深懷疑?！ ∫谝幌盗袣g笑嬉鬧中，最后才想起一切緣自當(dāng)初的那個玉蝎子的魔法，這些盜竊案最后還撮合了一對天作之合。
殺的就是你
莎姬·貝茲,湯姆·費爾頓,帕特麗夏·阿奎特,海瑟·格拉漢姆,米哈拉·赫羅德,佩特遜·約瑟夫,阿曼多·里維拉,達(dá)倫-邁耶,克里斯·范·倫斯堡,蓋布·加布里埃爾,梅根·亞歷山大一個從事打掃工作的女子為紐約一座摩天大樓中的富人家工作，卻被告知這里有一個供奉撒旦的邪教，每個月要殺一個人作為祭品，“今晚，選中了你……”