即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
西關大屋
娜仁花,鄔靖靖,李琦廣州末代西關小姐潘夢蝶，曾是一位絕代佳人，如今住在西關大屋中。在將近一個世紀的時間長河里，她堅守著自己的愛情，堅守著家族的秘密，堅守著屬于她自己的祖屋……社區(qū)民警馬思鵬是一位身手矯健、頭腦聰穎、樂于助人的人民警察。他接到了一樁名為“代號西關小姐”的涉毒案件。在調查的過程中，馬思鵬結識潘夢蝶及其后人葉伊西。隨著案件的深入，許多不為人知的秘密隨之解開，一場關于警民、親情、血緣等復雜情感的生死較量即將展開……
洛特DR1
Christian Kapper,Natalie Welch,Thomas E. Nicholson16歲的男孩基奇(Kitch)身在的城市經歷了毀滅性的災難，過半的人口失蹤和死亡。天空上到處是無人機，奇怪的是這些無人機是有自主意識的，它們脫離人類的控制，與人類展開對抗。男主角在尋找父親的過程中無意間知曉了可以在人體植入某種物質的密集，在一連串遭遇后帶著他的無人機加入了一個叫DR1的組織，然后各種開掛用人控無人機打無人機的故事。
萬圣節(jié)傳說
波波·斯圖爾特,格蕾絲·菲普斯,奧斯丁·法爾克,阿德里安娜·巴比歐,凱爾·吉克瑞斯特,山姆·威特沃,巴瑞·波斯威克,格雷戈·格倫伯格,林·沙燁,約翰·蘭迪斯,何塞·巴勃羅·坎蒂略,芭芭拉·克蘭普頓,喬·丹特,亞當·格林,羅伯特·拉斯勒,諾阿·西甘,帕特·希利,斯圖爾特·戈登,米克·加里斯,拉斐爾·喬丹,寶拉雅娜·麥金托什,詹姆斯·杜瓦爾,艾麗克斯·埃索,克里斯蒂娜·克萊伯,卡羅琳·威廉姆斯,達納·古爾德1）名叫蒂米的男童怨靈會在萬圣節(jié)當晚四處尋找糖果，甚至會為此挖開他人的肚子；2）小男孩被逼迫去一戶人家惡作劇，結果被長著角的男主人抓住，兩人一起上街惡搞乃至戕害狂歡的人群；3）某戶人家正坐在客廳看電影，這時有個打扮成巫婆的女孩敲門，卻用刀捅了男主人，恐怖的萬圣節(jié)變成災難，當然他們正為自己的所作所為付出代價；4）二男一女不良少年團伙在萬圣節(jié)之夜四處欺負他人，這時打扮成魔鬼的少年出面阻止他們，反而被三人抓住。5）老婦人和親朋們講述了瑪麗?貝利的傳說，那是一個不愿意被人看到的女人的怨靈，如果被她看到可就慘了；6）無法承受喪女之痛的女人在萬圣節(jié)之夜變成了心理失衡的惡魔；7）中年人的對面，搬來幾個重口味的金屬青年，夜幕降臨，他和重金屬們發(fā)生了沖突；8）密林深處，失魂落魄的少女被無情的殺人狂追逐，突然怪事發(fā)生；9）兩個劫匪企圖在萬圣節(jié)綁架某富豪的孩子，怎奈請神容易送神難；10）男人好不容易雕了一個南瓜頭，結果南瓜頭突然活了過來，大鬧街頭。
交響班
凱德·麥拉德,薩米爾·蓋絲米,艾爾弗雷德·雷利,讓-呂克·文森特,塔蒂亞娜·羅喬,蘇萊曼·達茲,馬修·斯皮諾斯,安妮·梅林格,克勞迪·維納斯特汗比,科琳娜·馬爾尚,金吉·羅曼,讓娜·比蒂諾娃,穆尼爾·馬戈姆西蒙（凱德·麥拉德 Kad Merad 飾）曾是一名非常有名的小提琴演奏家，對這項樂器充滿了熱情與喜愛，可是如今，他卻現身巴黎的一所初中之中，成為了那里的一群六年級孩子們的小提琴老師。西蒙對待音樂的態(tài)度非常的嚴肅，他自己的個性也十分不茍言笑，因此無法和班上的孩子們打成一片，孩子們在調皮搗蛋的同時也非常懼怕這位老師。 阿諾（艾爾弗雷德·雷利 Alfred Renely 飾）是一個非常害羞的男孩，和班上的其他孩子不同，他對待小提琴有著和西蒙一樣的熱愛。阿諾的憧憬漸漸點燃了西蒙內心里快要熄滅的火焰，在阿諾的影響下，西蒙找到了人生新的方向。
送葬人2023
那塔烏·桑亞布,察猜·欽西,Thanadon Buarabat,Nek Naruepol,Phuwanet Seechomphu,蒂提·斯里努亞爾,Siriamol Onkoon講述一名法學院畢業(yè)生喬德回到家鄉(xiāng)準備司法考試，但做殯葬業(yè)的父親卻生病了，怕鬼的他只好硬著頭皮協(xié)助家業(yè)。而錫安因為無法接受前女友的死亡，想方設法希望能再跟她見上一面，因此來幫喬德的忙。究竟在這個生與死交會的地方，他們會遇見什么樣的故事呢？