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劇情提要
講述明泰(貞賢宇)是在一個(gè)證券公司一個(gè)炙手可熱的人hadeverything從看起來(lái)熱的物體是一個(gè)錯(cuò)誤,但他和他的妻子被熱拍(Yoo暫無(wú)內(nèi)容Da暫無(wú)內(nèi)容Eun)忽略。附近的婦女在家里總是有不同的原因,他開(kāi)始向外看。莫林(熙官)無(wú)辜的人,9尾Avante,獅跑(基姆吉森)和神秘的成因(Jeong暫無(wú)內(nèi)容So-yeong)。明洞TAE不能品味有染他們就忙。
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一步之遙
北洋政府統(tǒng)治時(shí)期,盤踞上海的軍閥武大帥之子武七(文章 飾)為洗刷恥辱,輾轉(zhuǎn)找到了前清遺老馬走日(姜文 飾)求助。在此之后,馬走日和在法租界當(dāng)警督的發(fā)小項(xiàng)飛田(葛優(yōu) 飾)聯(lián)手策劃了名為“花域總統(tǒng)選舉”的大型選美活動(dòng),和馬從小就認(rèn)識(shí)的現(xiàn)總統(tǒng)完顏英(舒淇 飾)成功衛(wèi)冕。誰(shuí)知就在繁華喧囂的最頂點(diǎn),命運(yùn)之車竟急轉(zhuǎn)直下駛向深淵。在一個(gè)平凡的早上,完顏陳尸郊野,張皇失措的馬走日找到武七的姐姐武六(周韻 飾)及其母親齊老師(洪晃 飾),希望通過(guò)大帥幫自己洗刷殺人犯的罪名,結(jié)果卻盲打誤撞救下了險(xiǎn)些被整死的項(xiàng)飛田。背負(fù)殺人犯之名的馬絕路逃亡,而武六則以該事件拍攝了名為《槍斃馬走日》的電影,馬的命運(yùn)愈加撲朔迷離…… 本片根據(jù)民國(guó)奇案“閻瑞生案”改編。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.