眾歸于我

★ 0.6 播放：50萬 更新：2026-04-22

一個母親、她的兩個兒子、他們的妻子和一位被收養(yǎng)的女傭，六個人居住在同一屋檐下，面臨可能將他們撕裂的問題。在這場混亂中，家中的女性們堅定不移地努力保持家庭的團結(jié)。

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劇情簡介

一個母親、她的兩個兒子、他們的妻子和一位被收養(yǎng)的女傭，六個人居住在同一屋檐下，面臨可能將他們撕裂的問題。在這場混亂中，家中的女性們堅定不移地努力保持家庭的團結(jié)。

導(dǎo)演精選

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

德州棉花

　　一位年邁的老警察深信在他小鎮(zhèn)上被捕的神秘陌生人是無辜的，進而展開的調(diào)查就像捅了馬蜂窩一樣，將永遠改變這個鎮(zhèn)子。

民國驚魂錄

　　民國年間，上海灘閘北區(qū)保德路發(fā)生一樁命案，死者后來經(jīng)過確認，竟然是馬源商會老板馬廣則?！　《嗄陙恚R源商會在閘北一直都頗具影響力，馬廣則更是最被看好的商界風(fēng)云人物，他的死打破了閘北區(qū)原本的寧靜。