風(fēng)月寶鑒之家花自有香
未央生帶賽崑崙返家詎料二人甫踏進(jìn)門檻,即為人所擒 !本來在未央生離家不久,其對(duì)頭權(quán)厚道即率眾上門, 佔(zhàn)據(jù)其家鄉(xiāng),并大舉y-辱其妻妾,以報(bào)昔年妻室遭未央 生勾搭之恨!未央生被權(quán)厚道綁在柱上,眼巴巴看著權(quán) 厚道怎么將其妻妾逐個(gè)姦y-。未央生熱情不己,而他尋 尋不獲的「親生弟弟」,不知何時(shí)卻轉(zhuǎn)駁到權(quán)某身上! 權(quán)厚道對(duì)未央生府中一切稍有姿色的女眷絕不放過,但 他仍不解恨,更指示一眾山「基」?jié)h火熱「招待」未央 生!未央生慘遭此一劫難,身心受創(chuàng),其下神物竟然一 蹶不振!另方面,賽菎侖亦不好過,他被權(quán)厚道視為未 央生的同路人,遭軟禁在小樓中,日夕被高頭大馬的山 西婆娘抽打性虐-不斷呵索,簡(jiǎn)直不能不道,若不勝言 。 一夜,賽崑崙巧施妙計(jì)逃出,往尋其舊相好「艷羅剎」 挽救。艷羅剎乘機(jī)要脅賽崑崙,要他終身為何性伴,這 才容許出手,賽崑崙久在難中,猶如「死過翻生」,幾 乎已不辨肉味,如今重見美貌的艷羅剎,當(dāng)即康復(fù)了
影片推薦
恐怖列車
索拉·伯奇,吉迪恩·埃默里,卡凡·瑞斯,Derek Magyar,格羅瑞亞·沃特西斯,Todd Jensen,Vladimir Vladimirov蒙上你的眼:逃出巴塞羅那
喬治娜·坎貝爾,馬里奧·卡薩斯,迭戈·卡爾瓦,米歇爾·珍娜,萊昂納多·斯巴拉格利亞,洛拉·杜埃尼亞斯,帕特里克·克里亞多,Alejandra Howard,西莉亞·費(fèi)杰羅,Naila Schuberth,岡扎洛·德·卡斯特,Manel Llunell,米洛·塔波阿達(dá),Brian Lehane,Gerard Oms王勝:紫色
王勝異形侵襲
Ian McCulloch,Louise Marleau,Marino Masé旅途中的日子
沈恩敬,堤真一,河合優(yōu)實(shí),高田萬(wàn)作,佐野史郎,齊藤陽(yáng)一郎,松浦慎一郎,足立智充,梅舟惟永,柴田貴哉,中村祐太郎,貝拉·梅兩張彩票
多里安·波古策,德拉戈什·布庫(kù)爾,亞歷山德魯-維克多·內(nèi)姆特亞努,諾拉·庫(kù)普辛庫(kù),安迪·瓦斯盧亞努,尤安娜·弗洛倫蒂娜·迪米特流,米爾卡·巴努,伊萊亞斯·費(fèi)金,艾麗莎·卡林,伊琳娜·諾阿特斯,亞歷山德魯·帕帕多波爾,謝爾班·帕夫盧同類精選
X 放射線
詹姆斯·惠特摩,埃德蒙·戈溫,詹姆斯·阿尼斯,瓊·韋爾登我們的天空,我們的河
Mahmoud Abu Abbas,Myriam Abbas,達(dá)麗娜·阿爾·喬迪,Sami Al-Ali,Labwa Arab,Basim Hajar,Amed Hashimi,Muslem Hassoun,扎伊納布·約達(dá),Ali Kareem,Zaydun Khalaf,Kholod Mohamad,Suzan Muneam,Siham Mustafa,Badia Obaid,Kamaran Raoof,Karam Thamir汝矣島
金太祐,樸圣雄,黃秀貞僧侶
文森特·卡塞爾,黛博拉·弗朗索瓦,約瑟芬·約比,塞爾?!ぢ迮逅?凱瑟琳·蒙切特,喬迪·道德爾,杰拉丁·卓別林,羅珊妮·杜蘭,Frédéric Noaille,Javivi,Martine Vandeville,Pierre-Félix Gravière,塞爾日·費(fèi)拉德,恩斯特·吳默埃,Jean-Francois Vendroux,讓-克洛德·杜芬中轉(zhuǎn)停留
凱特·阿普頓,亞歷珊德拉·達(dá)達(dá)里奧,馬特·巴爾,馬特·瓊斯,卡爾·潘,邁克爾·本耶爾,艾米·阿內(nèi)克,喬·努內(nèi)斯,阿爾文·桑德斯,羅伯·考德瑞,莫莉·香儂,安吉拉·穆爾,約翰·卡西尼,詹妮弗·千,約翰·德斯崔,羅克·克里切洛,凱利·格澤爾,瑪麗·布萊克包寶寶
丹尼爾·凱林,辛迪·勞影視排行
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
生人活祭
艾米·西米茨,凱特·林恩·希爾,喬·斯萬(wàn)博格,AJ·鮑恩,Kentucker Audley媒體從業(yè)人員帕特里克·卡特(肯塔克爾·德利 Kentucker Audley 飾)意外聯(lián)系到了失蹤許久的姐姐卡羅琳(艾米·西米茨 Amy Seimetz 飾)??_琳當(dāng)初曾在戒毒所治療,如今住進(jìn)了一個(gè)名為“圣伊甸園”的地方,并自稱過上了烏托邦般的生活。為了弄清姐姐的下落,帕特里克和同事兼好友山姆·特納(AJ·鮑恩 AJ Bowen 飾)、杰克·威廉姆斯(喬·斯萬(wàn)博格 Joe Swanberg 飾)啟程前往圣伊甸園的所在地調(diào)查。這座樂園位于一個(gè)鮮為人知的隱秘所在,許許多多生活中經(jīng)歷痛苦和坎坷的人們,在“父親”(吉恩·瓊斯 Gene Jones 飾)的感召和撫慰下重獲新生?! 〕鲇诿襟w人的敏感,山姆取得了和“父親”對(duì)談的機(jī)會(huì),但他卻從對(duì)方幽默機(jī)智的談吐中嗅到了一絲殺氣……
千王1991
梁朝偉,黃百鳴,任達(dá)華,葉子楣,泰迪·羅賓,梁天,樂韻臺(tái)灣千術(shù)大師泰斗在與香港千王黃上千(黃百鳴 飾)一戰(zhàn)中落敗,從此與黃上千結(jié)下了仇怨。黃上千的徒弟阿偉(梁朝偉 飾)一日結(jié)識(shí)了從新加坡返港的寡婦蘇茜,以為能從中大撈一筆,于是伙同任公子(任達(dá)華 飾)和師姐大波媚(葉子楣 飾)設(shè)局。豈料蘇茜其實(shí)也是一個(gè)老千,阿偉他們不僅沒能打撈一筆,反而落得一身債務(wù)。無奈之下阿偉只好請(qǐng)師傅黃大千出馬,黃大千贏回了蘇茜手上阿偉的簽單后,與蘇茜握手言和,并敲定一起合作對(duì)付奸商龍?jiān)谔?。他們輕而易舉的把龍?jiān)谔斓膬砂偃f(wàn)搞到了,龍?jiān)谔觳桓市木痛吮或_,于是請(qǐng)?zhí)┒吩俅纬鰬?zhàn)……
看不見的女兒
阿登·楊,茱莉亞·莎拉·斯通,Camille SullivanA man, who years earlier mysteriously abandoned his family and isolated himself in a small northern town, returns for one last chance to reconnect with his troubled daughter. When she goes missing, he risks everything to find her, including exposing the fact that he is becoming invisible.