在線播放

劇情簡介

杰伊（Mark Rylance 飾），倫敦一名失意的音樂家，生活拮據(jù)，前途黯淡，每天只能靠在酒吧當(dāng)侍者維持生活。對他來說，最令人期待和激動的便是每個周三的下午。這一天，總有一名陌生女子（Kerry Fox 飾）來到杰伊的公寓，兩人不發(fā)一言，只沉浸在原始的x愛之中，完事后女子決然離開。然而杰伊漸漸不滿足于這短暫的相會，他開始偷偷跟蹤這個女子，了解她的生活，而兩人的關(guān)系也隨之發(fā)生了變化 　　本片榮獲2001年柏林電影節(jié)金熊獎、藍(lán)天使獎、最佳女主角銀熊獎。 　　

導(dǎo)演精選

溫德爾和懷爾德

　　創(chuàng)意鬼才亨利·塞利克和制片人喬丹·皮爾這次帶來動畫《惡魔兄弟》，講述了狡猾的惡魔兄弟溫德爾（科甘-邁克爾·凱配音）和瓦爾德（皮爾配音）向凱特·艾略特（一名被負(fù)罪感支配的堅強(qiáng)少女）求助，希望她能將他們召喚至人間。但與之相對的，凱特也提出要求，進(jìn)而引發(fā)了一場奇異無比、笑料百出的獨(dú)特冒險。影片全篇采用定格動畫的手工藝術(shù)進(jìn)行制作，是一部無視生死法則的動畫狂想曲。

情棺

摸金校尉白術(shù)為拯救被逼與丞相之子秦庭至配陰婚的意中人蘇青，決定進(jìn)行招魂儀式，卻未曾想三人徹底陷入陰婚詛咒，身困三生三世的虐戀糾纏……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.