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爵士之王
保羅·惠特曼,約翰·博爾斯,勞拉·拉普蘭特,珍妮特·洛夫,格倫·特萊昂,William Kent,斯利姆·薩默維爾,The Rhythm Boys,凱瑟琳·克勞福德,卡拉·萊姆勒,Stanley Smith,George Chiles,Jack White,Frank Leslie,沃爾特·布倫南,Churchill Ross,約翰·阿利奇,內(nèi)爾·歐黛,Harry Barris,Bobbe Brox,Kathlyn Brox,Lorraine Brox,André Cheron,平·克勞斯貝,杰克·富爾頓索命哨
達(dá)芙妮·基恩,蘇菲·奈麗絲,珀西·海恩斯·懷特,尼克·弗羅斯特,艾麗·斯考比,楊子英,斯蒂芬·卡林,米卡·阿蒙森,邁克爾·科拉斯,賈納婭·斯蒂芬斯,蘭內(nèi)特·瓦雷,特洛伊·詹姆斯,賈利勒·斯瓦比,蔣如思,朱莉婭·迪揚(yáng),Cameron Gordon Norris,Toria Summerville,Louis Adams,梅努卡·薩瓦爾,克里斯蒂娜·薩赫利羅伯特玩偶的復(fù)仇
Lee Bane,Harriet Rees,Judith Haley奪命網(wǎng)紅2
卡桑德拉·諾德,喬治娜·坎貝爾,麗莎·德拉馬爾,喬納森·懷特賽爾,維羅妮卡·隆,迪倫·普萊費(fèi)爾婚前試愛(ài)
周秀娜,羅子溢,洪天明,莊思敏,楊梓瑤,沈志明,陳嘉寶,方皓玟古宅謎案
貢米,郭秋成,劉家麟,黑妹,李中煜,馮淇祈,劉禹君同類推薦
社區(qū)戰(zhàn)警
Poramat Paywongsa,Nattaporn Phetskaew,Kittisak Phrosekaew當(dāng)社區(qū)的毒品問(wèn)題開始影響居民并引發(fā)動(dòng)亂時(shí),人們將求助的目光投向了警方。然而,這些本應(yīng)保護(hù)和服務(wù)民眾的警官們,卻對(duì)此問(wèn)題視而不見(jiàn)。一群熱心居民組成民防隊(duì),誓言將肅清不法掃蕩三害!
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
愉快動(dòng)物餅干電影版
松田元太,水上恒司,高石明里,藤森慎吾,蒼井翔太,小澤亞李,水瀨祈,東山奈央,立木文彥,間宮胡桃本片以1978年開始發(fā)售就一直受到喜愛(ài)的點(diǎn)心“愉快動(dòng)物餅干”為基礎(chǔ)制作,講述了以獅子為首,大象、河馬、猴子、小兔、小貓、長(zhǎng)頸鹿、鱷魚、小雞,以及新角色天馬行空又哭又笑的故事,描寫了只有“可愛(ài)”這一優(yōu)點(diǎn)的他們,為了拯救世界滅亡的危機(jī)而奮斗的模樣。
甜蜜恰好也三十
趙文琪,楊悅心,陳德容,鐘駿勝,黃柏鈞,紀(jì)宇電金領(lǐng)孟夏貌美強(qiáng)悍,精明神勇,卻因未婚夫出軌而崩潰;SPA技師湯玲柔弱呆萌,嬌甜黏人,一再對(duì)吃軟飯的男友無(wú)力自拔。一場(chǎng)葬禮讓兩個(gè)被同一個(gè)男人傷害的隱秘情敵變成了磕磕絆絆的塑料花,日常斗嘴吐槽,情誼卻不斷升級(jí)。年輕陽(yáng)光攝影師金哲的出現(xiàn)撩撥得二女春心萌動(dòng),同時(shí)陷入瘋狂的境地。幾番爭(zhēng)斗下來(lái),男神巋然無(wú)動(dòng)。兩女身心俱疲,感受到作為女人的無(wú)奈與悲涼,同時(shí)從這段荒唐的雌競(jìng)中幡然醒悟,對(duì)愛(ài)情和女性的尊嚴(yán)、價(jià)值生發(fā)出全新的體悟。金哲究竟情囑何方??jī)蓚€(gè)大齡女最終愛(ài)歸何處?假閨蜜如何煉就真友誼?
A-1頭條
李心潔,黃秋生,陳冠希,葛民輝,林家棟,梁家輝記者玲(李心潔飾)的男友Peter獲得一宗刑事案件的新聞線報(bào),前去取證途中突然遭遇交通事故意外身亡。玲覺(jué)得事有蹊蹺,調(diào)查后發(fā)現(xiàn)一宗模特命案。女模特Helen裸死于家中浴缸,富豪之子張承志沒(méi)有不在場(chǎng)證據(jù),但事件竟被警方低調(diào)處理,張承志的相關(guān)證據(jù)也被消除。玲為不愿男友枉死,誓要調(diào)查出事件真相,但報(bào)社總編輯曾達(dá)時(shí)(梁家輝飾)卻不愿為玲伸出援手。無(wú)奈之下,玲只好求助常常被追債的飛(黃秋生飾)與馬仔(葛民灰)幫助她調(diào)查真相。飛原來(lái)是警察出身,在調(diào)查中,他發(fā)現(xiàn)Peter的死因確有蹊蹺。隨著調(diào)查的進(jìn)行,黑暗中的黑手不斷想將玲置于死地,究竟事件的真相能否登上報(bào)紙的A1頭條?真相與言論自由的賽跑,在香港的午夜開始。