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瘋狂動物城2
金妮弗·古德溫,杰森·貝特曼,關(guān)繼威,福瓊·費姆斯特,安迪·薩姆伯格,大衛(wèi)·斯特雷澤恩,伊德瑞斯·艾爾巴,夏奇拉,帕特里克·沃伯頓,昆塔·布倫森,內(nèi)特·托倫斯,邦妮·亨特,唐·雷克,麥考利·卡爾金,布蘭達·宋,莫里斯·拉馬奇,莉亞·萊瑟姆,雷蒙德·S·佩爾西,珍妮·斯蕾特,丹尼·特雷霍,馬克·史密斯,湯米·利斯特,讓·雷諾,塞西莉·斯特朗,朱恩·斯奎布,米歇爾·戈麥茲,戴維·法恩,約翰·雷吉扎莫,湯米·鐘,艾倫·圖代克,邁克爾·J·??怂?喬?!み_拉斯,彼得·曼斯布里奇,伊薇特·尼科爾·布朗,艾德·希蘭,月球漫步2024
柳承穆,黃智雅,金敏京,宋東煥玄機衛(wèi)之鎮(zhèn)國神鼎
賀剛,袁福福,李夢穎,劉林城,寇振海,老羊,曉凡,陽蕾深淵未遠
Jamie Woods,Isabella Mangano,Jacob Pontil-Scala,米利亞娜·坎卡爾,Andy Steuart,Isobel Lauber厲嘯崩心
Gina Henkel,安東·威爾,帕維·德朗柯鬼貓
黃氏·塞繆爾·安,Thien An,紅桃,Nguyen Thuc Thuy Tien同類推薦
黑衣女人2:死亡天使
海倫·麥克洛瑞,杰瑞米·艾文,菲比·??怂?利安娜·貝斯特,阿德里安·勞林斯,奧克利·佩德加斯特,萊拉·德·梅扎,海莉·喬安妮·培根,奈德·丹內(nèi)利,阿米莉婭·皮金,豪爾赫·萊昂·馬丁內(nèi)斯,裘德·懷特,皮普·皮爾斯,理查德·班克斯,阿爾菲·西蒙斯1941年,第二次世界大戰(zhàn)如火如荼。英國倫敦遭到納粹法西斯的毀滅性轟炸,成千上萬的人流離失所,更有無數(shù)兒童淪為孤兒。為了躲避戰(zhàn)火的蹂躪,陸軍軍官的妻子海倫·霍格女士(海倫·麥克洛瑞 Helen McCrory 飾)與伊芙·帕金斯(菲比·??怂?Phoebe Fox 飾)帶著孤兒們登上列車,輾轉(zhuǎn)來到一處偏遠所在避難。經(jīng)過長途跋涉,她們抵達目的地并被安排在臨時的占時軍隊醫(yī)院落腳。只不過它的前身這里正是那個黑衣女人橫行盤桓的Eel Marsh House。才脫狼穴,又入虎口,驚慌失措的女人和孩子們即將迎來比戰(zhàn)爭更為可怕的噩夢,惡靈的殺戮有序展開…… 本片根據(jù)英國小說家蘇珊·希爾(Susan Hill)的暢銷小說改編。
大帝機器人
伊武雅刀,洞口依子,森本治行,吉田友紀東寶ビデオのシネパック第一弾として、1991年11月8日にリリースされたのがこの『ミカドロイド』である。 第二次大戦末期、敗色濃厚な日本。その中で帝國陸軍が極秘裏に研究していた秘密兵器、それが人造人間“ジンラ號”。敗戦とともに歴史から抹消されたジンラ號であったが、空襲で埋沒した研究所の中、眠り続けていた一體があった。そして今、半世紀の歳月を経て、ジンラ號が東京の地下に蘇る! ふとした偶然でその地下迷宮に迷い込んでしまった若い男女二人は何を見るのか? 未完成の人造人間として老いる事も出來ずに彷徨い続けてきた謎の男、彼は一體何を望むのか? 本作は舞臺となる場所と時間が狹い範囲に限定されているため、物語の密度が濃く、一夜限りの幻想的な悪夢のような作品となっている?! ˉ弗螗樘枻违钎顶ぅ螭驌敜筏郡韦膝ぅ楗攻去飑`ターの明日蘭。蒸気機関車のような舊式なラインでまとめられているジンラ號は一見ユーモラスで鈍重な外見だが、內(nèi)に潛ませた悪夢と狂気が不思議な説得力を持ち、印象深い仕上がりとなっている。またジンラ號専用武器として設(shè)計されたという設(shè)定の“100式短機関銃改「ベ式」テラ銃”は、當時の落下傘部隊が使用した実銃をモチーフにいかにもそれらしくまとめられており、ジンラ號の設(shè)定をよりリアルな物としている。その他、南部十四年式拳銃や96式軽機関銃などの各種プロップガンもリアルな作動シーンを見せて畫面を引き締めている?! ”O(jiān)督を務(wù)めたのは特殊メイククリエイターとして有名な原口智生。本作は原口自身が長年あたためてきた企畫で、原口の監(jiān)督デビュー作となった。
隔壁的星光
福本莉子,八木勇征,倉悠貴,橫田真悠,西垣匠,田鍋梨梨花,清水美沙,宮崎吐夢,紺野真晝,野波麻帆,濱野謙太本片改編自同名漫畫,講述了以當紅年輕演員的身分開始邁向明星之路的柊木昴(八木勇征 飾),以及他青梅竹馬的女高中生天野千明(福本莉子 飾),有著“明星和素人”這種令人著急的關(guān)系的超王道愛情故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
現(xiàn)鈔風(fēng)暴
格雷厄姆·沃爾夫,蕾切爾·尼爾森,Rachel Aspen天降橫財! ?一場現(xiàn)鈔風(fēng)暴正襲卷而來!銀行搶匪駕車逃亡時遭遇龍卷風(fēng),車子撞毀,所有贓物都被卷入漏斗云中。兩名科學(xué)家和一位健談的網(wǎng)紅救出了劫匪,并由此展開了一段滑稽的搶現(xiàn)鈔之旅。