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劇情提要
經(jīng)歷了6個月實習后,崔晶莉在學長燦星的介紹下找到了工作,對學長一直抱有好感的晶莉向燦星告白,兩人很快就同居,然而很快晶莉發(fā)現(xiàn)公司的宋副經(jīng)理有著不為人知的一面,她借著自己出眾的美貌謀取了不少職務上的便利,當邪惡的秘密揭開,晶莉發(fā)現(xiàn)自己陷入了地獄般的工作環(huán)境中.
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在戰(zhàn)火紛飛的中世紀王國中,手握利劍的斯嘉麗公主為替父報仇毅然踏上征途,卻以失敗收場。當她再次醒來時,發(fā)現(xiàn)自己身處神秘的“死者之國”。在那里,她邂逅了一位來自現(xiàn)代的理想主義青年;他的善意與慈悲,動搖了她心中根深蒂固的仇恨。當殺父仇敵再度現(xiàn)身,斯嘉麗必須做出抉擇:是繼續(xù)執(zhí)念于復仇,還是尋找到仇恨之外的人生意義。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster