瘋狂欲望

? 9.7 播放：11萬(wàn) 2026-04-26

法國(guó)情欲電影。原著小說(shuō)《茹娃》（Joy）是法國(guó)作家茹娃 洛雷（Joy Laurey）于1981年發(fā)表的一部半自傳體情愛(ài)小說(shuō)。茹娃 ;洛雷是作者的筆名。 喬伊Joy（克勞迪婭 ;尤迪飾）是個(gè)有一半美國(guó)血統(tǒng)的法國(guó)模特。小時(shí)候因?yàn)槟慷酶赣H偷情而從此離家。在巴黎，盡管有了男朋友，但她理想中的男性是個(gè)象她的父親一樣剛毅而不失溫柔的男子。當(dāng)遇上中年的建筑師馬克Marc（熱拉爾 安托萬(wàn) 于阿爾飾）后，喬伊認(rèn)為她找到最完美的男人，因?yàn)樗麕Ыo了她之前完全無(wú)法比擬的激情。她春心蕩漾，想多多見識(shí)并體會(huì)一般女人毫無(wú)感受的大膽;權(quán)利 。喬伊決定離開巴黎去紐約拍片，開始她周游世界的情欲冒險(xiǎn)。 　　

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劇情提要

法國(guó)情欲電影。原著小說(shuō)《茹娃》（Joy）是法國(guó)作家茹娃 洛雷（Joy Laurey）于1981年發(fā)表的一部半自傳體情愛(ài)小說(shuō)。茹娃 ;洛雷是作者的筆名。 喬伊Joy（克勞迪婭 ;尤迪飾）是個(gè)有一半美國(guó)血統(tǒng)的法國(guó)模特。小時(shí)候因?yàn)槟慷酶赣H偷情而從此離家。在巴黎，盡管有了男朋友，但她理想中的男性是個(gè)象她的父親一樣剛毅而不失溫柔的男子。當(dāng)遇上中年的建筑師馬克Marc（熱拉爾 安托萬(wàn) 于阿爾飾）后，喬伊認(rèn)為她找到最完美的男人，因?yàn)樗麕Ыo了她之前完全無(wú)法比擬的激情。她春心蕩漾，想多多見識(shí)并體會(huì)一般女人毫無(wú)感受的大膽;權(quán)利 。喬伊決定離開巴黎去紐約拍片，開始她周游世界的情欲冒險(xiǎn)。 　　

幕后花絮

真正的痛苦

 為紀(jì)念逝世的奶奶，許久未見的堂兄弟大衛(wèi)與班吉相約前往波蘭參加導(dǎo)覽團(tuán)，也順道探訪奶奶的老家。一路上，班吉有話直說(shuō)、率性風(fēng)趣的性格迅速與同團(tuán)人士拉近距離，令木訥拘謹(jǐn)?shù)拇笮l(wèi)既焦慮又羨慕，壓抑已久的情緒日益沸騰。然而，隨著旅途種種安排不斷挑動(dòng)班吉的敏感神經(jīng)，他的狂放不羈似乎逐漸走向失序，大衛(wèi)試圖息事寧人，但內(nèi)心的不安卻席卷而來(lái)。這趟尋根之旅，能否解決彼此心底難以言說(shuō)的痛楚？

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.