戀愛成癮
父親，兒子，以及孫子！三個(gè)29歲的抓住了性感jonye喜歡！上一頁(yè)系列是最好的媽媽永遠(yuǎn)！我的妻子和喪親之痛和終末期癌癥sihanbu的父親是誰(shuí)經(jīng)營(yíng)一家社區(qū)-店，醫(yī)療條件（myeonggyenam）注意到，軍銜是不是莫名其妙地下崗第一次在晚上的時(shí)候，在大人電影灑滿了一萬(wàn)多年的研究，每天晚上寫他的兒子，晟敏（香港seojun）中繼器的孫子，youngchan（gimminsang）屋頂歲的男子曾經(jīng)系列之前是最好的媽媽永遠(yuǎn)！29年jonye性感像珍熙（chaeminseo）
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葉甫蓋尼·奧涅金
弗拉季米爾·弗多維琴科夫,阿廖娜·克梅爾尼茨卡亞,Liza Moryak,維克多·杜布朗拉沃夫,塔基楊娜·柳達(dá)耶娃葉甫蓋尼·奧涅金的生活很奢華：舞會(huì)、招待會(huì)、戲劇首演以及首都能為年輕人提供的其他娛樂(lè)活動(dòng)。但社交生活早已讓他疲憊不堪，因此他認(rèn)為住在村里的叔叔生病的消息是一個(gè)逃離令人厭惡的世界的機(jī)會(huì)。然而，到了莊園后，奧涅金得知一個(gè)親戚去世了，但這并沒(méi)有讓葉甫蓋尼太難過(guò)。他的經(jīng)濟(jì)狀況非常糟糕，叔叔很有錢，卻沒(méi)有其他繼承人。奧涅金把自己關(guān)在莊園里，避開鄰居，鄰居們很快就開始稱他為怪人。葉甫蓋尼過(guò)著漫無(wú)目的的孤獨(dú)生活，直到從國(guó)外回來(lái)的莊園主人出現(xiàn)在鄰近的莊園--一個(gè)年輕、熱情、對(duì)生活尚未滿足的連斯基，他把葉甫蓋尼介紹給了塔吉婭娜和奧爾加·拉林姐妹。
半夜叫你別回頭2
梅瓊,趙翊驍,姜夢(mèng)茹,沈璐,李世杰,陸煙,張瑩瑩,寒豐,嚴(yán)佳茵,武朋新婚的蕭靈兒（陸煙 飾）前往兒時(shí)的山間別墅度假。途中，詭異事件接踵而至，雙生女童、深夜歸來(lái)的守門人，讓蕭靈兒驚恐不已。次日，蕭靈兒的閨蜜和前男友不請(qǐng)自來(lái)，守門人的兒子帶著女友來(lái)見家長(zhǎng)。更恐怖的是，一個(gè)神秘的紅衣女孩如鬼魂般在深山老宅中閃現(xiàn)，勾起了當(dāng)?shù)亓鱾饕丫玫墓硗蕃旣悅髡f(shuō)。在這深山隔絕之地，鬼娃使眾人陷入死亡之境。靈異現(xiàn)象頻繁出現(xiàn)，血腥事件不斷發(fā)生，等待眾人的是一個(gè)埋藏多年的鬼娃復(fù)仇傳說(shuō)。
狄仁杰之通天浮屠
羅立群,許翔,張婉琳,侍宣如唐載初年，位于郊外校場(chǎng)倒塌的通天浮屠殘骸一夜之間復(fù)活。天空中一條火龍照亮夜空，并噴射火球摧毀了整個(gè)校場(chǎng)，死傷無(wú)數(shù)。隨后通天浮屠也燃起大火，化為灰燼。而異族鬼道在城外叫囂，只有武則天效仿大佛自焚，天下才可免受災(zāi)難。城中內(nèi)外人心惶惶，狄仁杰奉命徹查此案，卻遇到了與自己有過(guò)節(jié)的大理寺少卿裴東升。二人不打不相識(shí)，被迫一起調(diào)查此案。面對(duì)外敵的入侵，隊(duì)友的不信任，狄仁杰決心背水一戰(zhàn)，勢(shì)要查明案件的真相。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
怖谷鳥
亨特·莎弗,賈恩·布盧特德,馬爾頓·索克斯,杰西卡·亨維克,丹·史蒂文斯,米拉·劉,格蕾塔·費(fèi)爾南德斯,波斯·曼達(dá)尼,阿斯特麗德·伯格斯-弗瑞斯貝, 康拉德·辛格,卡琳·莫羅17歲的女孩Gretchen（亨特·莎弗 Hunter Schafer 飾）被迫與家人一起搬到一個(gè)度假勝地，而那里并不像看上去的那樣平靜。
水底驚魂
丹尼爾·祖瓦圖,邦妮·丹尼森,克里斯·康羅伊,喬尼·奧爾西尼,葛瑞芬·紐曼,Mackenzie Rosman,馬克·馬戈利斯陽(yáng)光明媚的日子里，約翰（丹尼爾·佐瓦特 Daniel Zovatto 飾）和凱蒂（邦妮·戴尼森 Bonnie Dennison 飾）、麥特（克里斯·克羅伊 Chris Conroy 飾）、齊克（格里芬·紐曼 Griffin Newman 飾）、西蒙（約翰尼·奧希尼 Jonny Orsini 飾）和黛比（Mackenzie Rosman 飾）等五名好友，驅(qū)車來(lái)到一個(gè)毗鄰湖邊的僻靜所在進(jìn)行他們畢業(yè)前的紀(jì)念派對(duì)。他們劃著小船來(lái)到湖中央，曾經(jīng)有著恐怖記憶的約翰對(duì)這片水域頗多忌憚，但是他膽大妄為的伙伴們則競(jìng)相跳入水中，享受戲水的快樂(lè)時(shí)光。誰(shuí)知好景不長(zhǎng)，先是小船遭到猛烈碰撞，接著黛比被一條怪魚咬傷致死?！ ∧贻p人的噩夢(mèng)由此展開，他們的磨難還未就此結(jié)束，嗜血獵手漸次向他們逼近……