早產(chǎn)兒
在農(nóng)村小鎮(zhèn) Wickenhaven,精神病曬黑沙龍老板負(fù)責(zé)失蹤的許多年輕而天真的女孩,而他的妻子,充滿異國情調(diào)的錢包,是愿意忽視他的邪惡本質(zhì)。
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博格曼
揚(yáng)·貝弗特,哈德維奇·米尼斯,杰羅恩·佩瑟瓦爾,亞歷斯·馮·華麥丹,湯姆·德威斯布萊爾,莎拉·約爾特·蒂特萊芙瑟,安妮特·馬爾赫畢狂野時(shí)代
易烊千璽,舒淇,趙又廷,李庚希,黃覺,陳永忠,郭沐橙,張志堅(jiān),曾美慧孜,閆楠洛奇
西爾維斯特·史泰龍,塔莉婭·夏爾,伯特·楊,卡爾·韋瑟斯,布吉斯·梅迪斯喪尸出籠:血脈
Sophie Skelton,喬納森·斯卡奇,Jeff Gum,Marcus Vanco,馬克·史密斯,Lorina Kamburova,莎莉·沃特森,Rachel O'Meara,克里斯蒂娜·塞拉菲尼,Lillian Blankenship,Debbie Sherman,Luke Cousins,Nathan Cooper,阿塔納斯·斯雷布雷夫,Ulyana Chan無論如何我愛你
化劫
黃冠智,雷嘉汭,劉子銓,曾莞婷,黃騰浩,柯叔元,于子育,席惟倫同類推薦
祖魯
奧蘭多·布魯姆,福里斯特·惠特克阿里(福里斯特·惠特克 Forest Whitaker 飾)和母親是從曾經(jīng)慘絕人寰的種族屠殺中幸免于難的幸存者,雖然如今的他已然出人頭地成為了開普敦警局重案組的負(fù)責(zé)人,但兒時(shí)充滿了血腥和恐懼的回憶依然沉淀在他的內(nèi)心之中,陰影揮之不去?! 〔既R恩(奧蘭多·布魯姆 Orlando Bloom 飾)是阿里的下屬,他的家族成員曾經(jīng)是種族隔離活動(dòng)中的激進(jìn)分子,不過這并沒能夠影響到他和阿里之間的信任和友誼。一連串兇殺案的發(fā)生和一種新型毒品的出現(xiàn)將城市推到了風(fēng)口浪尖,直到這時(shí),肩負(fù)著巨大壓力的阿里才發(fā)現(xiàn),那些他以為已經(jīng)成為過去的事情,其實(shí)并沒有真正的過去,也永遠(yuǎn)都不會(huì)過去。
圣誕不快樂
在這部感人的喜劇中,一個(gè)脾氣暴躁的男人在圣誕節(jié)被詛咒,一年后醒來,卻發(fā)現(xiàn)他注定要一遍又一遍地重溫平安夜。
尤哈
薩卡里·庫斯曼嫩,卡蒂·奧廷寧,安德烈·維爾姆斯,馬庫·佩爾托拉尤哈(薩卡里·庫斯曼嫩 Sakari Kuosmanen 飾)和瑪利亞(卡蒂·奧廷寧 Kati Outinen 飾)是一對(duì)生活在幸福和平淡之中的老夫少妻,兩人住在他們經(jīng)營的農(nóng)場(chǎng)里,離群索居不問世事。一天,一個(gè)名叫辛麥卡(安德烈·維爾姆斯 André Wilms 飾)的男人來到了農(nóng)場(chǎng),他的車拋錨了。善良的尤哈邀請(qǐng)辛麥卡在農(nóng)場(chǎng)過夜,哪知道就此為自己找了個(gè)麻煩?! ≡瓉?,辛麥卡是一個(gè)油嘴滑舌的花花公子,他花言巧語誘惑和哄騙了瑪利亞,最終,瑪利亞決定和辛麥卡私奔。然而,來到了大城市后,辛麥卡才露出了自己的真面目,他將瑪利亞賣到了一家妓院里替自己工作。當(dāng)尤哈得知了瑪利亞的近況后,他決定向辛麥卡尋仇。
獸性
卡馬爾格,法國——內(nèi)吉瑪正在努力訓(xùn)練,以贏得當(dāng)?shù)氐亩放1荣悺H欢?,在一次慶?;顒?dòng)后,她被牛襲擊,開始注意到一些令人不安的變化。與此同時(shí),一頭失控的公牛在社區(qū)中橫行,導(dǎo)致年輕男子接連喪命,令居民們感到恐慌。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster