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捕蛇者說(shuō)
霧山捕蛇人深陷苛政與蛇禍雙重絕境，異變的陰影籠罩村落，一場(chǎng)關(guān)乎救贖與守護(hù)的博弈悄然開啟。
正義聯(lián)盟：無(wú)限地球危機(jī)(下)
凱緹·薩克霍夫,迪恩·文特斯,馬克·哈米爾,寇瑞·斯托爾,雅士利·伯奇,布萊恩·布魯姆,布雷特·道頓,凱文·康瑞,杰森·斯皮薩克,艾爾西亞·羅塔魯,辛希亞·卡耶·麥克威廉姆斯,爾瑪·泰勒Trapped in a pocket universe, surviving Earths face annihilation by the Anti-Monitor. Time shatters, bringing past heroes to aid Justice League against the epitome of evil. Their sacrifice may lead to victory.
Y計(jì)劃
韓韶禧,全鐘瑞,金新綠,鄭英珠,金圣喆,李在均,柳始我人生低谷迫使兩位女子偷盜數(shù)百萬(wàn)黃金——這是他們?nèi)松凶詈笠淮紊镭P(guān)的冒險(xiǎn)。 美善（Mi Seon）和道靜（Do Gyeong）或許早已習(xí)慣在首爾江南區(qū)最危險(xiǎn)的地段掙扎求生，但這并不意味著她們已經(jīng)安于此地。除了彼此之外，兩位好友只能拼命攢錢，想要擺脫危險(xiǎn)的生活方式。然而，就在“退休”指日可待之際，世界卻背叛了她們，粉碎了她們的希望。在絕路邊緣，她們?cè)诮蠀^(qū)發(fā)現(xiàn)了一筆隱藏的財(cái)富，其中包括贓款和黃金——并將所有賭注押在了人生中最后一次豪賭上。
分秒間離
奧蘭多·瓊斯,Edmund Entin,Gary Entin在一次尋常的大學(xué)生家庭派對(duì)上，荷爾蒙過(guò)剩的青年們盡情玩耍。然而當(dāng)晚卻發(fā)生了一起血腥慘劇，數(shù)名校隊(duì)運(yùn)動(dòng)員在地下室玩俄羅斯輪盤賭，最終導(dǎo)致4人身亡。在此之后，蘭普金警探（Orlando Jones 飾）受命調(diào)查此事，并走訪了死亡大學(xué)生所在的教會(huì)學(xué)校。通過(guò)對(duì)死者朋友們的盤查，他將盤問(wèn)對(duì)象所定在喬納（Edund Entin 飾）和賽斯（Gary Entin 飾）身上?！ 碳{和賽斯是一對(duì)俊美的雙胞胎，他們有著極高的智商，卻為周圍的同學(xué)所不容，共同視他們二人為怪胎。他們雖然經(jīng)常拿著攝像機(jī)在學(xué)校走來(lái)走去，不過(guò)早已被他人當(dāng)作空氣。隨著蘭普金調(diào)查的深入，這對(duì)神秘兄弟的關(guān)系也變得越來(lái)越微妙……
校園往事
宋欣諾,吳長(zhǎng)浩,陽(yáng)院生,王海卓,陳升衛(wèi)單純善良的女主人公（陳夢(mèng)曦）踏入了渴望已久的美麗高中校園。霸道頑皮的男主人公（陸晨）對(duì)陳夢(mèng)曦一見鐘情，因?yàn)槔钭榆幨顷悏?mèng)曦的同桌，而且他與陳夢(mèng)曦、梁燕形影不離，所以陸晨對(duì)李子軒有意見。陸晨與他朋友們經(jīng)常整蠱欺負(fù)李子軒，一次在操場(chǎng)上陸晨和他朋友一起把李子軒給揍了。善良樂(lè)于助人的陳夢(mèng)曦與梁燕知道后，決定幫助他們化解矛盾，通過(guò)接觸與了解，陸晨與李子軒及陳夢(mèng)曦、梁燕之間的友誼逐漸形成。一天晚上，梁燕去參加朋友的生日晚會(huì)后，被人綁架了，陸晨與陳夢(mèng)曦、李子軒及他的幾個(gè)朋友拿錢去解救梁燕，他們與劫匪打了起來(lái)，他們?nèi)勘唤俜舜虻梗P(guān)鍵時(shí)刻，班主任帶保安隊(duì)長(zhǎng)來(lái)到，經(jīng)過(guò)一番激烈搏斗，最終保安隊(duì)長(zhǎng)制服了劫匪。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster