劇情縱覽
每周四次嘿咻,多次達到高潮而且終身保持忠誠:在性這件事上,謊言層出不窮。我們在哪些方面撒謊最多,又是出于什么原因?通過男女各四十位志愿者參與的令人驚訝的試驗,德國電視二臺(ZDF)這檔紀錄片將以最新研究結果將揭開關于德國人情愛方面赤裸裸的真相。(豆瓣電影字幕翻譯2.0小組)
每周四次嘿咻,多次達到高潮而且終身保持忠誠:在性這件事上,謊言層出不窮。我們在哪些方面撒謊最多,又是出于什么原因?通過男女各四十位志愿者參與的令人驚訝的試驗,德國電視二臺(ZDF)這檔紀錄片將以最新研究結果將揭開關于德國人情愛方面赤裸裸的真相。(豆瓣電影字幕翻譯2.0小組)
It is the year 2022. A mysterious systems failure causes the crew of a spaceship to be stranded on the dark side of the moon, while rapidly running out of fuel and oxygen. They are surprised to discover a NASA space shuttle floating in space, and board it in the hope of salvaging some supplies....
家聲(林子祥 飾)已經四十六歲了,至今仍未成家。他青梅竹馬女友麗泉(伍詠薇 飾),要求與他之間做個了斷。兩人多年來沒有結果是因為家聲是一名同性戀者。而家聲是有一名男朋友Sonny(陳小春 飾)的,但Sonny十分享受花花世界給他帶來的虛榮,這樣便使得家聲覺得十分沒有安全感,卻又對Sonny的感情越來越深?! 〖衣曇幻詰俸糜延懒乙虬滩∷廊チ?,家聲勸止永烈的男友(吳鎮(zhèn)宇 飾)不要出現在喪禮上,卻被Sonny從中搗亂,家聲也因此與Sonny分手了?! 〉衣晱碗s的感情世界并沒有因為這樣得到解決……
本片講述了重案組組長張晨峰被余建明陷害成殺人兇手后,張晨峰被捕后,在刑偵專家周楊與重案組成員的努力 下,成功將真正的連環(huán)殺人案的 兇手緝拿歸案的故事。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster