以寡敵眾
大盜哈里（連姆·尼森 Liam Neeson 飾）和其同伴在一場搶劫行動中不幸身亡，贓款下落不明。他的妻子維羅妮卡（維奧拉·戴維斯 Viola Davis 飾）不僅要承受喪夫之痛，還要警惕來自當(dāng)?shù)氐暮趲托值苜Z馬爾（布萊恩·泰里·亨利 Brian Tyree Henry 飾）和杰特米（丹尼爾·卡盧亞 Daniel Kaluuya 飾）的死亡威脅，他們想要得到那筆贓款。 實際上，維羅妮卡擁有一項秘密武器，那就是哈里的秘密筆記，他將自己的所有搶劫計劃非常詳細(xì)的記錄了下來，其中還包括他的下一個行動計劃。維羅妮卡藏起了筆記，找到了哈里同伴的妻子琳達(dá)（米歇爾·羅德里格茲 Michelle Rodriguez 飾）和愛麗絲（伊麗莎白·德比齊 Elizabeth Debicki 飾），三個女人決定靠著筆記為自己搞一大筆錢。
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妃子笑
蕭正楠,黃婉伶,黃婉君,陳逸寧,戴夢夢,朱咪咪,李兆基,江欣燕,梅小惠,謝雪心,楊羚,李思捷,王嘉明弘治七年，皇上在全國范圍內(nèi)大選妃子。來在同村的兩位少女鴛鴦（黃婉君 飾）和朱朱（黃婉伶 飾）相助于危險的夜路，遂互稱姐妹，共赴皇宮?！ τ谏倥畟儊碚f，如果成功當(dāng)選皇妃，無論富貴貧賤都可飛上枝頭當(dāng)鳳凰，自然競爭激烈，條件也很苛刻。不光自身條件要好，還要經(jīng)過嚴(yán)格的培訓(xùn)與層層考試。但更加殘酷其實是她們各自之間的勾心斗角、爾虞我詐?！ ∶鎸ΨN種的困難與危險，鴛鴦與珠珠能否闖過難關(guān)？而面對這殘酷的競爭，她們的友情是否會改變呢？
一百樣?xùn)|西
弗洛里安·大衛(wèi)·菲茨,馬提亞斯·施維赫夫,米里亞姆·斯坦因,漢內(nèi)洛勒·埃爾斯納,卡特琳娜·塔巴赫,約翰尼斯·艾麥亞,馬克西米利安·梅耶-布雷澤內(nèi)德,瑪利亞·佛萬格勒,沃爾夫?qū)に顾菲?Sarah Victoria Frick,Artjom Gilz,丹尼爾·弗利格,Milo Eisenbl?tter,Nora Boeckler安東尼（馬提亞斯·施維赫夫 Matthias Schweigh?fer 飾）和保羅（弗洛里安·大衛(wèi)·弗里茨 Florian David Fitz 飾）是從小玩到大的青梅竹馬，兩人共同經(jīng)歷了太多的事情，彼此之間的友誼堅不可破。成年之后，他們一起創(chuàng)辦了一家公司，這一天，公司覓得了一名非?？犊耐顿Y人，為了慶祝這件事情，公司里開設(shè)了一場盛大的派對，在派對上，玩的興起的安東尼和保羅決定打一個賭，賭注是公司百分之五十的股份?！ “矕|尼和保羅交出了身上所有的東西，兩人回歸到身無分文的狀態(tài)，然后每一天，他們都可以在他們所擁有的東西里拿回一件，如此往復(fù)，看誰能夠撐更長的時間，先放棄的人就是輸家。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
紐倫堡
羅素·克勞,拉米·馬雷克,利奧·伍德爾,邁克爾·珊農(nóng),理查德·E·格蘭特,科林·漢克斯,約翰·斯拉特里,瑞安·施密特,洛特·弗貝克,馬克·奧布萊恩,安德烈亞斯·皮特斯柯曼,史蒂文·佩西,莉迪亞·佩克漢,丹·凱德,羅德里克·希爾,保羅·安東尼·巴伯,唐納德·薩基·馬凱,沃爾夫?qū)と麪柲?杰瑞米·惠勒,菲利普·雅克改編自《納粹與精神病醫(yī)生》，聚焦二戰(zhàn)結(jié)尾，紐倫堡法庭對德國勞工陣線領(lǐng)導(dǎo)人羅伯特·萊伊的審判(其后來在獄中自殺)，以被委任來對納粹頭領(lǐng)們進行評估的美軍精神科醫(yī)生Douglas Kelley的視角展開。