男國少年夢

歲歲平安

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

蜜戀合租

　　安諾軒辭高薪逐寫作夢，26歲遭男友陳強(qiáng)出軌并貶其夢想，分手后陷窘境。閨蜜幫她招租，曾被她所救、暗戀她的蘇梓橋借機(jī)合租。兩人磨合中漸生情，雖因誤會分開，安諾軒卻知心意。蘇梓橋助她入職，共退聯(lián)姻對象華清泫，獲蘇母認(rèn)可，婚后安諾軒寫作終成。

意外空間

　　兄弟二人生活過的緊巴巴，弟弟生性懦弱，哥哥強(qiáng)勢霸道，這天，哥哥搶劫別人得來了錢，兄弟二人正高興之際，一名偵探找上門來，雙方發(fā)生爭執(zhí)，追逐之中，三個人發(fā)現(xiàn)自己被困于無窮無盡的樓梯上，無論如何都走不到盡頭 ……　　另一邊，一家人被困于無邊無境的馬路上，相同的加油站，相同的便利店，四周一望無際的荒野，卻如何都逃不出這可怕的地獄……　　兩個沒有界限的空間，他們要如何應(yīng)對內(nèi)心逐漸升起的絕望？