我父親的女保姆是我的首選

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

德州棉花

　　一位年邁的老警察深信在他小鎮(zhèn)上被捕的神秘陌生人是無(wú)辜的，進(jìn)而展開(kāi)的調(diào)查就像捅了馬蜂窩一樣，將永遠(yuǎn)改變這個(gè)鎮(zhèn)子。

布偶秀50周年特別節(jié)目

科米蛙、豬小姐以及其他迷人的伙伴們，重返最初的布偶劇院舞臺(tái)，帶來(lái)全新的音樂(lè)、搞笑短劇，以及一連串的后臺(tái)大亂斗。

怨泊

　　東京，一個(gè)世界知名的大城市。 Sarah (何超儀 飾) 與男友分手后，來(lái)到此地欲求購(gòu)買房生產(chǎn)，并度過(guò)一個(gè)短暫而寧?kù)o的假期，但一切事與愿違。由于美國(guó)總統(tǒng)的突然到訪東京，原定的酒店已滿?！　》康禺a(chǎn)公司將她安置在一座非常破舊廢棄令人毛骨悚然的私人民宿 “minipaku” 中 ，當(dāng)Sarah入住時(shí)，她發(fā)現(xiàn)它是由一位老婦人（白川和子 飾）經(jīng)營(yíng)的。她在那里的第一個(gè)晚上感到十分不安和可怕，噩夢(mèng)連連，并且病了起來(lái)，只能被迫留下來(lái)，更令她意外地發(fā)現(xiàn)了一具正在被寄生蟲(chóng)吞噬的完整骨骼。警察局的高級(jí)警司（高橋和也 飾）接手調(diào)查，也發(fā)現(xiàn)這家民宿牽涉多宗連環(huán)離奇失蹤案件，怪事連連，警司也未能為Sarah破解。　　這座有著非常神秘力量和不明歷史的房子，與Sarah有著某種聯(lián)系。當(dāng) “minpaku” 的燈熄滅時(shí)，可怕而令人不安的景象籠罩著她，它們變得越來(lái)越真實(shí)。一場(chǎng)又一場(chǎng)可怕而離奇的噩夢(mèng)，令人不知道這是開(kāi)始還是結(jié)束，似乎一切都是安排好的。

致我的青春