　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

茱莉亞

故事發(fā)生在二十世紀(jì)三十年代初期，莉蓮（簡(jiǎn)·方達(dá) Jane Fonda 飾）前往維也納尋找自己曾經(jīng)的好友茱莉亞（瓦妮莎·雷德格瑞夫 Vanessa Redgrave 飾），到達(dá)目的地之后，莉蓮才知道，茱莉亞因?yàn)楹头ㄎ魉怪С终甙l(fā)生了激烈沖突而受傷住進(jìn)了醫(yī)院，之后不知所蹤。在莉蓮回歸自己的生活之后，她意外的收到了茱莉亞的來信，在信中，茱莉亞請(qǐng)求莉蓮幫助自己投運(yùn)五萬(wàn)美元給反納粹組織，盡管這一舉動(dòng)在當(dāng)時(shí)意味著巨大的危險(xiǎn)，但是莉蓮還是答應(yīng)了茱莉亞，最終，兩個(gè)多年未見的好友在柏林重逢。然而，沒過多久，莉蓮便受到了茱莉亞的死訊，在悲痛之中，莉蓮明白，自己還有未完成的任務(wù)。

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