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劇情提要
賈斯蒂斯·史密斯加盟出演，朱麗安·摩爾、塞巴斯蒂安·斯坦主演的蘋果原創(chuàng)新片[騙子]。該片由蘋果與A24聯(lián)合制作，《王冠》導演本·卡隆執(zhí)導，[偵探雙雄]編劇布萊恩·蓋特伍德、亞歷桑德羅·田中操刀劇本。摩爾將飾演混跡于曼哈頓億萬富翁圈子里的騙子藝術(shù)家。斯坦將飾演馬克斯，一個聰明的騙子，以執(zhí)行復雜的計劃和賺大錢而聞名。在電影中，他被卷入了另一個計劃。
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比佛利拜金狗2
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妃子笑
弘治七年，皇上在全國范圍內(nèi)大選妃子。來在同村的兩位少女鴛鴦（黃婉君 飾）和朱朱（黃婉伶 飾）相助于危險的夜路，遂互稱姐妹，共赴皇宮?！ τ谏倥畟儊碚f，如果成功當選皇妃，無論富貴貧賤都可飛上枝頭當鳳凰，自然競爭激烈，條件也很苛刻。不光自身條件要好，還要經(jīng)過嚴格的培訓與層層考試。但更加殘酷其實是她們各自之間的勾心斗角、爾虞我詐?！ ∶鎸ΨN種的困難與危險，鴛鴦與珠珠能否闖過難關(guān)？而面對這殘酷的競爭，她們的友情是否會改變呢？
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.