愛情蛙跳跳

★ 9.0 播放：59萬 更新：2026-04-27

青空女學(xué)院の用務(wù)員?鶴岡一途（いっと）は、風(fēng)紀(jì)委員?朝日村莢香（さやか）に密かに戀心を抱いていた。ただへなちょこの鶴岡が莢香と付き合えるはずもなく、イヤらしい目で女子高生を見るばかりであった。しかし、學(xué)校の裏庭でピンク色のカエルに噛まれたことにより飛んだり跳ねたりできる能力を身につけ、校內(nèi)で起きたボヤ騒ぎで窮地の莢香を救出する！女子高生に戀した用務(wù)員が繰り広げるヒーロー?ラブコメディの第1弾！

在線播放

劇情簡介

青空女學(xué)院の用務(wù)員?鶴岡一途（いっと）は、風(fēng)紀(jì)委員?朝日村莢香（さやか）に密かに戀心を抱いていた。ただへなちょこの鶴岡が莢香と付き合えるはずもなく、イヤらしい目で女子高生を見るばかりであった。しかし、學(xué)校の裏庭でピンク色のカエルに噛まれたことにより飛んだり跳ねたりできる能力を身につけ、校內(nèi)で起きたボヤ騒ぎで窮地の莢香を救出する！女子高生に戀した用務(wù)員が繰り広げるヒーロー?ラブコメディの第1弾！

導(dǎo)演精選

非請勿進(jìn)

 麥克（斯蒂芬·多爾夫 Stephen Dorff 飾）是一名心懷大志的警探，最近，一宗連環(huán)殺人案件吸引了他的注意，已經(jīng)有四人成為了殘酷兇手刀下的獵物。在搭檔泰瑞（娜塔莎· 麥克艾霍恩 Natascha McElhone 飾）的幫助下，麥克開始了對案件的調(diào)查。隨著調(diào)查的深入，一個驚悚的網(wǎng)站逐漸浮出水面，四名受害者在死前48小時都登陸過這個網(wǎng)站，在一個代號為“黑寡婦”的神秘女人的支配下，他們似乎用生命做賭注加入了一場游戲。為了查明真相，麥克決定以身試險，他登入了網(wǎng)站，與此同時，他生命的最后48小時開始了倒數(shù)，麥克必須在此時限內(nèi)將真兇繩之于法，否則，他的結(jié)局會和先前的那四個人一模一樣。

奸人本色

　　劉父半生積蓄被奸商所騙，更在法庭敗訴，郁郁而終，死前托女兒小云找奸人家族報仇。奸人家族一早不值奸商所為，設(shè)下以奸治奸的圈套，不料簡仁與簡貴為爭小云歡心，被奸商利用……

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster