危情

★ 7.4 播放：81萬 更新：2026-04-28
主演：王敏德 陳雅倫 

倫生xing硬朗，自小立志當(dāng)警察，在學(xué)堂表現(xiàn)比侽生更出色，受教官觀賞，卻被助教陷害，倫憤而辭職。另一教官觀賞她，指派她當(dāng)臥底接近地產(chǎn)界紅人福田，因警方懷疑祂與一些商業(yè)罪案有關(guān)。倫在福田身邊不斷隱秘搜集證據(jù)，兩人相處日久，漸生情意。福田已早得悉倫身份，卻不動聲色，并對倫佰般柔情，倫漸忘記接近福田的本來目的，二人感情糾纏不休

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劇情簡介

倫生xing硬朗，自小立志當(dāng)警察，在學(xué)堂表現(xiàn)比侽生更出色，受教官觀賞，卻被助教陷害，倫憤而辭職。另一教官觀賞她，指派她當(dāng)臥底接近地產(chǎn)界紅人福田，因警方懷疑祂與一些商業(yè)罪案有關(guān)。倫在福田身邊不斷隱秘搜集證據(jù)，兩人相處日久，漸生情意。福田已早得悉倫身份，卻不動聲色，并對倫佰般柔情，倫漸忘記接近福田的本來目的，二人感情糾纏不休

導(dǎo)演精選

弗蘭肯斯坦的新娘

在弗蘭肯斯坦怪物結(jié)婚的那天，村民們暴動并殺死了他。他的新娘逃跑了，發(fā)誓要報復(fù)負(fù)責(zé)的市民，并最終復(fù)活了怪物——在她身后留下了血跡。

暗黑新娘！

 孤獨(dú)的科學(xué)怪人弗蘭肯斯坦（克里斯蒂安·貝爾 飾）來到了1930年代的芝加哥，懇請頂級科學(xué)家尤弗洛尼斯博士（安妮特·貝寧 飾）為他創(chuàng)造一位伴侶。兩人成功復(fù)活了一名被謀殺的年輕女子，“新娘”（杰西·巴克利 飾）就此誕生。然而事態(tài)發(fā)展卻遠(yuǎn)超兩人想象：謀殺接踵而至，占有欲瘋狂滋生，新娘能否掙脫“被創(chuàng)造”的命運(yùn)？在暗黑混沌的逃亡路上，一場女性覺醒風(fēng)暴開始席卷整個世界。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.