同流合烏
香港導(dǎo)演云翔第6部作品。多夢的文藝青年高勁軒，遇見蘇格拉底式的老師明鏡臺，深深受到一種莫名的吸引，和女友祖兒的世界，從此天旋地轉(zhuǎn)。在這個尋找內(nèi)心真愛和性向依歸的青澀旅程中，勁軒時不時感覺自己受著三島由紀(jì)夫文學(xué)世界的召喚，那個目的地，似近實遠(yuǎn)，似遠(yuǎn)實近，瑰麗、壯烈，讓他對明鏡臺有了一種飛蛾撲火般的憧憬。再加入美麗多情善解人意的神秘女郎詩韻，無界的精神清境，纏綿著凡塵的愛欲輪迴?！{著對藝術(shù)的熱愛和智慧的追求，是否足以在溷沌俗世中活出詩樣的人生？她和他和他和她的不羈王國，不就是你們一直不敢追尋的烏托邦？
即刻觀影
劇情賞析
編輯推薦
拯救地球
艾瑪·斯通,杰西·普萊蒙,艾丹·德爾比思,斯塔夫羅斯·哈爾基阿斯,艾麗西亞·希爾維斯通,帕文德·謝爾吉爾,瓦妮莎·恩格,亞伊薩,塞德里克·迪莫爾內(nèi),馬克·T·劉易斯,莫瑪·切瑞,卡門·加林德斯·巴雷拉,羅杰·卡瓦略兩名深信陰謀論的年輕人綁架了一位有權(quán)有勢的大型企業(yè)女首席執(zhí)行官（艾瑪·斯通 Emma Stone 飾），因為他們堅信她其實是個企圖摧毀地球的外星人。
孤獨癥候群
Pierre Le Baleur,Eddy Frogeais,Diane MartinAn epic mosaic of lonely people with crossed destinies who will set their sights on Arthur Morhan, a psychoanalyst on the verge of a breakdown.
銀河守門員
維多利亞·阿加拉科娃,Georgiy Bestaev,Khristina Blokhina,Valeriya Bukhina,沃爾夫?qū)と麪柲?Aleksandra Cherkasova,Artyom Chetverikov,Ekaterina Dar,Olga Degtyaryova,瓦萊麗婭·德米特里耶娃,Pavel Dorofeev,米克哈爾·弗里蒙弗,Ivan Egorov,Diana Enakaeva,Ivan Fedotov,斯維特蘭娜·伊萬諾娃,瑪爾塔·蒂莫菲娃,尤里·庫琴科,葉甫蓋尼·米羅2071。銀河戰(zhàn)爭摧毀了月球，改變了地球的氣候。莫斯科是熱帶森林，紐約是一片冰。在莫斯科上空升起一艘巨大的外星飛船-這是一個體育場，在那里進行了星際太空游戲的表演，聯(lián)合體育和角斗士的戰(zhàn)斗。整個銀河系都在看比賽。只有運動員才能玩太空。這就是人們所說的那些具有非凡能力并能夠管理這些能力的人。宇宙崇拜的一切，除了安東，最普通的人，誰只是夢想找到一份工作來幫助家庭。但有一天，他發(fā)現(xiàn)自己的超能力，并接受加入國家隊?，F(xiàn)在他是一個宇宙飛船的球員。安東還不知道這場比賽的命運決定了他的角色，最后的比賽將是一場為土地而戰(zhàn)。
地縛
拉菲·斯波,詹·穆瑞,大衛(wèi)·莫瑞瑟Joe is an Alien on Earth. At least that is what his father told him before he died when Joe was eleven. He finds it difficult to adjust, and to find a compatible girl friend
那個人在想什么事情
John Price,Preben Neergaard,Lotte TarpThe main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster