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天堂孤影
馬蒂·佩龍帕,卡蒂·奧廷寧,薩卡里·庫斯曼嫩環(huán)衛(wèi)公司垃圾車駕駛員尼卡德（Matti Pellonp?? 飾）的老同事計劃籌資組建自己的環(huán)衛(wèi)公司，邀請尼卡德技術入股，但老同事不久急病突發(fā)身亡，尼卡德的生活重回一潭死水狀態(tài)。尼卡德心有不甘借酒滋事，在被拘留的時候結識日后的同事米卡拉。米卡拉偶而會不識趣的妨礙尼卡德暗地追求超市售貨員伊羅娜（Kati Outinen 飾），但他仍是尼卡德最可依賴的朋友。伊羅娜為報復超市經理偷走了錢盒，尼卡德幫助她找到服裝店的新工作，服裝店經理夾到尼卡德與伊羅娜的關系中間，但尼卡德最終奪回了自己的愛人?！ ”酒@1987年芬蘭電影尤西獎最佳影片獎。是導演郭立斯馬基（Aki Kaurism?ki）無產階級三部曲的第一部。
女人們的談話
魯妮·瑪拉,朱迪思·愛薇,艾米麗·米切爾,凱特·哈萊特,麗芙·麥克尼爾,克萊爾·芙伊,希拉·麥卡錫,杰西·巴克利,米歇爾·麥克勞德,基拉·古洛安,莎伊拉·布朗,弗蘭西斯·麥克多蒙德,薇薇安·安迪克特·道格拉斯,本·衛(wèi)肖,奧古斯特·溫特,洛克蘭·雷·米勒,納撒尼爾·麥克帕蘭德,威爾·寶,伊里·哈姆,艾米麗·德雷克,馬庫斯·克雷格,卡羅琳·吉利斯來自與世隔絕的宗教社區(qū)的婦女們努力使她們的現(xiàn)實與她們的信仰相協(xié)調。通過背景故事，我們看到一個婦女社區(qū)聚集在一起，研究如何共同前進，為她們自己和她們的孩子建立一個更美好的世界。要么留下來戰(zhàn)斗，要么離開。她們不會什么都不做。
王者少年
路易斯·阿什伯恩·瑟金斯,丹妮斯·高夫,迪安·肖穆,湯姆·泰勒,雷亞安娜·杜瑞斯,內森·斯圖爾特-賈瑞特,諾瑪·杜梅溫尼,麗貝卡·弗格森,馬克·博納爾,安格斯·里,路易斯·馬丁,喬伊·安沙,亞當·利斯,亞歷山德拉·羅奇,尼克·穆罕默德,帕特里克·斯圖爾特,邁拉·麥克法迪,亞當·布克斯頓,克勞迪·布萊克利,吉娜薇·歐瑞麗,露絲·霍洛克斯,賈格·帕特爾,康納·沃爾夫劇情講述一群小朋友探索追蹤一個中世紀禍害——名叫Morgana、是亞瑟王同父(母)異母(父)的妹妹的故事。路易斯飾Alex，偶然發(fā)現(xiàn)了亞瑟王的圣劍“Excalibur”，泰勒飾他的同伴蘭斯洛特，Denise Gough飾他的母親，Imrie飾年輕版梅林，斯圖爾特有望飾演老版梅林，弗格森則有望飾演大反派Morgana。該片由福斯發(fā)行，充滿動作冒險元素。
異次元駭客
克雷格·比爾克,阿明·繆勒-斯塔爾,格瑞辰·摩爾,文森特·多諾費奧,丹尼斯·海斯伯特,斯蒂文·沙博,Jeremy Roberts,里夫·霍頓,萊昂·里皮,珍妮特·麥克拉克倫,布拉德·威廉姆·亨克,伯特·布洛斯,Venessia Valentino,霍華德·S·米勒,蒂婭·德克薩達,施瑞·阿普萊碧,鮑勃·克萊德寧,艾莉森·洛曼,Hadda Brooks,厄尼·里夫利,托妮·索耶,Brooks Almy,李韋弗,杰弗里·里瓦斯,Travis Tedford,杰夫·布魯門克蘭茨,約翰尼·克勞福德,Tracy P十三，一個聽起來就有些陰冷的數(shù)字。在一座大廈的第十三層，科學家道格拉斯?霍爾（克雷戈?比克飾）和漢農?富勒（阿明?繆勒－斯塔爾飾）用電腦模擬出一個逼真的1937年的洛杉磯，他們可以通過電腦進入這個虛擬世界，真實地體驗1937年的生活與自己。然而一個夜里，富勒被人殺死，種種線索都表明似乎是霍爾所為。可霍爾卻對當天夜里的事情全無記憶。這時一個自稱是富勒女兒的女人又神秘出現(xiàn)，可霍爾從未聽富勒說過自己有女兒……為了找到兇手明曉真相，霍爾循著富勒留下的線索來到虛擬世界中，他離真相越來越近了……近到窒息……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
看不見的守護者
瑪爾塔·埃圖拉,埃爾薇拉·明戈斯,Patricia López西班牙驚悚片。根據(jù)西班牙懸疑推理小說家多洛蕾絲·雷東多的代表作巴斯坦三部曲之《隱形守護者》，這是近年來西班牙最轟動的犯罪懸疑小說，比《沉默的羔羊》《犯罪心理》更驚悚，已經高踞西班牙暢銷書排行榜長達三年之久，講述巴斯克地區(qū)的一起連環(huán)殺人案。一名曾受過聯(lián)邦調查局訓練的警察回到位于納瓦拉的家鄉(xiāng)，追捕一名專以當?shù)厍嗌倌隇槟繕说臍⑹?，還得面對自己過去的心理創(chuàng)
蒙特利爾，我的美人
陳沖,夏洛特·奧賓,埃米莉·科泰,John Xu,Pei Yao Xu,Anzhe Angelo Zhang53歲華裔移民鳳霞（陳沖 飾）在加拿大蒙特利爾已經生活了大半輩子，人生被“妻子、母親、移民”的身份牢牢捆綁：一段早已失去愛意的婚姻、需要照料的家庭、中西文化的夾縫，讓她活成了別人期待的樣子，也壓抑了真實的自我。直到她遇見充滿活力的年輕魁北克女孩卡米爾（夏洛特·奧賓 飾），一段意外的親密關系喚醒了她埋藏多年的欲望與渴望。鳳霞被迫直面內心的渴望，在家庭責任與自我解放、傳統(tǒng)束縛與自由人生之間，做出艱難卻決絕的選擇，完成一場遲來的中年覺醒與自我救贖。