玫瑰剪刀手2005

★ 2.0 播放：15萬 更新：2026-04-27

一個(gè)哥倫比亞的漂亮的女殺手，遇到了兩個(gè)不同類型的追求者。一個(gè)是英俊和風(fēng)流的富家子弟，一個(gè)是可愛和靦腆的小兄弟。圍繞著愛情、殺手的悲劇宿命、親情和混亂的時(shí)局，Rosario的感情時(shí)而炙熱、時(shí)而瘋狂、時(shí)而溫柔，最后又是無可奈何的撒手人寰。

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劇情簡(jiǎn)介

一個(gè)哥倫比亞的漂亮的女殺手，遇到了兩個(gè)不同類型的追求者。一個(gè)是英俊和風(fēng)流的富家子弟，一個(gè)是可愛和靦腆的小兄弟。圍繞著愛情、殺手的悲劇宿命、親情和混亂的時(shí)局，Rosario的感情時(shí)而炙熱、時(shí)而瘋狂、時(shí)而溫柔，最后又是無可奈何的撒手人寰。

導(dǎo)演精選

我能有個(gè)見證人嗎

　　Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth.　　With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50.　　Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned.　　Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

八棺索財(cái)

　　一個(gè)商業(yè)酒店因?yàn)槿痣x奇死亡案件被社會(huì)各界所關(guān)注，一時(shí)間流言四起，有人說這是蓄意謀殺，也有人認(rèn)為純屬意外，甚至網(wǎng)絡(luò)上有神人稱酒店施工曾挖出八具棺材，地形暗合了一個(gè)叫“八棺索財(cái)”的道家陣法。記者蘇莉、女網(wǎng)紅與其老公陳宇天，兩撥看似不相干的人組成奇葩小分隊(duì)，一起走進(jìn)詭異酒店，等著他們的，是福還是禍？