我再愛媽媽一次

★ 8.1 播放：77萬 更新：2026-04-26

十年前,編劇張文斌的妻子美琴因貪圖享樂和賭博而拋夫棄子,張文斌與其離婚。十年后。已成影視新秀的兒子張子涵為父親鳴不平,踏上了一條萬分糾結的“尋找母愛和“復仇之路。善與惡何去何從,愛與恨情何以堪,因與果相輔相成,是與非誰來澄清。

在線播放

劇情簡介

十年前,編劇張文斌的妻子美琴因貪圖享樂和賭博而拋夫棄子,張文斌與其離婚。十年后。已成影視新秀的兒子張子涵為父親鳴不平,踏上了一條萬分糾結的“尋找母愛和“復仇之路。善與惡何去何從,愛與恨情何以堪,因與果相輔相成,是與非誰來澄清。

導演精選

兩個世界一個愿望

　　一位世界著名的考古學家和一位務實的律師在童年紐帶多年后重新聯系，當時他們天真無邪的友誼變成了堅不可破的東西。

鋼鐵少女：決戰(zhàn)

　　在20XX年，日本面臨著最后一場戰(zhàn)爭的危機，一個軍事公司開發(fā)的“大規(guī)模毀滅性超級武器”被恐怖組織奪走。同時，半機械人的克里斯·索奧托姆（Chris Saotome）被轉換為殺戮武器，遇到了一個名叫薩拉的神秘女孩....

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.