裸在21世紀(jì)

★ 5.7 播放：68萬(wàn) 更新：2026-04-24
主演：Athena Demos Lena Yada Christine 

;2012年美國(guó)最新天體運(yùn)動(dòng)文娛記錄片佳作，展示歷史上的天體主義運(yùn)動(dòng)及天體電影和現(xiàn)代天體生活方式，美國(guó)天體運(yùn)動(dòng)協(xié)會(huì)全新特征著作引領(lǐng)你體會(huì)打開(kāi)胸襟，回歸自然界天人合一的祼露純真感觸 Naked在21世紀(jì) 的紀(jì)錄片：天然主義之旅，經(jīng)過(guò)比擬和比照怎么實(shí)施L體運(yùn)動(dòng)，今日它是怎么經(jīng)過(guò)前幾代開(kāi)發(fā)。該片還供給一個(gè)L體電影製作，和L體主義電影的回顧展，從20世紀(jì)到21世紀(jì)的開(kāi)展，一起來(lái)看看。 　　

在線播放

劇情簡(jiǎn)介

;2012年美國(guó)最新天體運(yùn)動(dòng)文娛記錄片佳作，展示歷史上的天體主義運(yùn)動(dòng)及天體電影和現(xiàn)代天體生活方式，美國(guó)天體運(yùn)動(dòng)協(xié)會(huì)全新特征著作引領(lǐng)你體會(huì)打開(kāi)胸襟，回歸自然界天人合一的祼露純真感觸 Naked在21世紀(jì) 的紀(jì)錄片：天然主義之旅，經(jīng)過(guò)比擬和比照怎么實(shí)施L體運(yùn)動(dòng)，今日它是怎么經(jīng)過(guò)前幾代開(kāi)發(fā)。該片還供給一個(gè)L體電影製作，和L體主義電影的回顧展，從20世紀(jì)到21世紀(jì)的開(kāi)展，一起來(lái)看看。 　　

導(dǎo)演精選

恐怖高速

一對(duì)年輕夫婦在高速公路上行駛，似乎無(wú)法離開(kāi)公路，因?yàn)橛腥似髨D讓他們繼續(xù)上路。

阿爾瑪與狼

　　以俄勒岡州海岸為背景，陷入困境的警官倫·阿科德調(diào)查一起神秘的狼襲擊事件。當(dāng)他關(guān)系疏遠(yuǎn)的兒子在案件中失蹤時(shí)，事情嚴(yán)重起來(lái)。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.