劇情縱覽
帕斯卡爾·布迪亞爾(Pascal暫無(wú)內(nèi)容Bourdiaux)首部喜劇長(zhǎng)片,何塞·加西亞(José暫無(wú)內(nèi)容Garcia)主演,影片描寫(xiě)一個(gè)法國(guó)銀行小職員在36小時(shí)內(nèi)被訓(xùn)練成一名黑幫分子的喜劇故事。
帕斯卡爾·布迪亞爾(Pascal暫無(wú)內(nèi)容Bourdiaux)首部喜劇長(zhǎng)片,何塞·加西亞(José暫無(wú)內(nèi)容Garcia)主演,影片描寫(xiě)一個(gè)法國(guó)銀行小職員在36小時(shí)內(nèi)被訓(xùn)練成一名黑幫分子的喜劇故事。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
兩名深信陰謀論的年輕人綁架了一位有權(quán)有勢(shì)的大型企業(yè)女首席執(zhí)行官(艾瑪·斯通 Emma Stone 飾),因?yàn)樗麄儓?jiān)信她其實(shí)是個(gè)企圖摧毀地球的外星人。
本片以1978年開(kāi)始發(fā)售就一直受到喜愛(ài)的點(diǎn)心“愉快動(dòng)物餅干”為基礎(chǔ)制作,講述了以獅子為首,大象、河馬、猴子、小兔、小貓、長(zhǎng)頸鹿、鱷魚(yú)、小雞,以及新角色天馬行空又哭又笑的故事,描寫(xiě)了只有“可愛(ài)”這一優(yōu)點(diǎn)的他們,為了拯救世界滅亡的危機(jī)而奮斗的模樣。
本片聚焦臭名昭著的納粹醫(yī)生約瑟夫·門(mén)格勒的逃亡軌跡,從巴拉圭的藏身之所到最終遁入巴西叢林深處,再現(xiàn)這名"死亡天使"流亡南美的隱秘歲月。