狗陣

★ 8.5 播放:44萬(wàn) 更新:2026-04-24

十余年前的西北小鎮(zhèn),剛出獄的二郎(彭于晏 飾)重歸故土,面對(duì)偏見(jiàn),面對(duì)防備,他不知該如何開(kāi)啟新生活。迫于生計(jì)加入打狗隊(duì)后,二郎拯救了一只流浪黑狗,他也在和黑狗的相處中獲得了再次上路的勇氣。生命在暗處的綻放更兇猛有力,一人一狗在互相救贖中,擁抱著彼此的新生。

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劇情簡(jiǎn)介

十余年前的西北小鎮(zhèn),剛出獄的二郎(彭于晏 飾)重歸故土,面對(duì)偏見(jiàn),面對(duì)防備,他不知該如何開(kāi)啟新生活。迫于生計(jì)加入打狗隊(duì)后,二郎拯救了一只流浪黑狗,他也在和黑狗的相處中獲得了再次上路的勇氣。生命在暗處的綻放更兇猛有力,一人一狗在互相救贖中,擁抱著彼此的新生。

導(dǎo)演精選

偉大的覺(jué)醒

 Exploring the friendship between renowned preacher George Whitefield and Benjamin Franklin, and Whitefield's impact during the pivotal Great Awakening religious movement.

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

下女1960

  某紡織廠的音樂(lè)部教師東植對(duì)錦川發(fā)生的一起殺人事件表示出極大的興趣?! ∧程欤瑬|植從女工郭善英處收到一封情書(shū),并向舍監(jiān)告發(fā),善英被工廠開(kāi)除。曾鼓勵(lì)善英寫(xiě)信的朋友趙慶熙借著鋼琴輔導(dǎo)的契機(jī)開(kāi)始出入東植家。為了貼補(bǔ)家計(jì),東植妻子做了很多裁縫活兒,身體越來(lái)越虛弱。東植委托慶熙尋找到一名合適的下女,幫助持家。妻子懷孕回娘家的當(dāng)下,慶熙借機(jī)向東植表達(dá)了愛(ài)意,卻受到辱蔑被攆了出去。這一切都被窗外的下女看到眼里。下女借機(jī)誘惑東植,并與之發(fā)生了肉體關(guān)系。三個(gè)月后,下女懷孕。東植的妻子知道真相后,將下女推下樓梯,導(dǎo)致流產(chǎn)。失去孩子的下女怒火中燒,性情開(kāi)始變得暴烈。結(jié)果,下女將東植夫婦倆的孩子也推下樓梯,藏了起來(lái)。下女以向工廠曝光所有事實(shí)相要挾。為了保住整個(gè)家庭,東植將二層的房間讓給下女。最后,準(zhǔn)備和下女一起吃耗子藥自殺的東植看到死在臺(tái)階上的下女,毅然拋棄了她,重新回到了妻子身邊。這時(shí),電影畫(huà)面再次回到東植夫婦看著有關(guān)那起殺人新聞的畫(huà)面,東植不禁說(shuō)道:這樣的事情有可能發(fā)生在任何一個(gè)人的身上。