棄城

　　孤兒薩曼塔，和她的養(yǎng)父母以及妹妹奧利弗住在一起，但是他的養(yǎng)父并不喜歡她，老是責(zé)罵她。由于他們的家位于森林深處，所以回家必須經(jīng)過森林，但是，他們不知道森林里有樹怪，他們能誘捕兒童，然后把抓到的孩子困到他們的巢穴，然后再幻化成孩子的模樣，回到他們的父母身邊，所以數(shù)百年來，這片森林?jǐn)?shù)百年來都有兒童走失的案例，不幸的是，由于薩曼塔的疏忽，讓她的妹妹獨(dú)自穿過森林，然后就被樹怪擄走啦，接著就發(fā)生了一連串死亡事件，那么薩曼塔一家能夠逃過一劫嗎？

 兩個(gè)值守夜班的“倒霉蛋”甜點(diǎn)心（喬·基瑞 飾）和內(nèi)奧米（喬治娜·坎貝爾 飾），意外發(fā)現(xiàn)了瘋狂繁殖的外星寄生真菌，無福消受這頓重口加班餐的二人發(fā)出求救信號?！暗栏小钡耐诵萏毓ち_伯特（連姆·尼森 飾）被迫再就業(yè)，重新上崗拯救即將被真菌腐蝕的世界。他們一邊躲避著因寄生而綠液四濺的宿主們，一邊和翻涌的腸胃做斗爭，在一陣陣爆漿聲中大開“驚喜盲盒”。這組畫風(fēng)迥異的“臨時(shí)戰(zhàn)友”能否阻擋這場末日浩劫？誰又能活著走出這個(gè)驚魂之夜……

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

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