即刻觀影
劇情賞析
編輯推薦
致命錄像帶2
凱爾西·艾博特,漢娜·阿爾·拉希德,法赫里·阿爾巴,奧卡·安塔拉,Bette Cassatt為了尋找在派對中失蹤的大學(xué)生，兩名攜帶錄像設(shè)備的私家偵探闖入了一幢空房子，并在其中發(fā)現(xiàn)數(shù)卷神秘錄影帶：1）男人米德爾頓植入了能記錄影像和聲音的義眼，他在家中卻看到恐怖的影像；2）在國家公園叢林里騎車的麥克碰到一個滿身傷痕、嘔吐黑水的女人，接下來一群恐怖喪尸慢慢向他靠近。被喪尸咬了后，男子的身體漸漸發(fā)生變化；3）某劇組造訪一個神秘教派，天堂般美好的表象下，恐怖氣息蔓延，他們偏偏趕上魔王降臨人間；4）父母不在的湖邊住宅，孩子們放肆玩耍。夜深人靜之際，強(qiáng)烈的光芒突然閃過，神秘生物進(jìn)入屋內(nèi)，意外頻現(xiàn)。詭異的錄影帶，將觀看者引向黑暗深處……
愛我愛我
米爾·詹金斯,佩佩·巴羅佐,盧卡·梅盧奇,Andrea Guo,Michelangelo Vizzini,Madior Fall,Vanessa Donghi朱恩（June）在哥哥去世后搬到意大利，尋求新的開始。在她的新精英學(xué)校里，她被詹姆斯（James）吸引，詹姆斯是個勇敢卻危險的人，卷入了非法綜合格斗（MMA）比賽，但她卻開始和詹姆斯最好的朋友威爾（Will）約會，威爾是個完美的模范學(xué)生。然而，表象具有欺騙性，朱恩很快發(fā)現(xiàn)學(xué)校里的人都并非表面那樣，每個人都隱藏著秘密。隨著緊張局勢加劇，隱藏的真相浮出水面，朱恩需要決定自己的心真正屬于誰。
校園鬼降瘋
Liyana Jasmay馬拉西亞的賣座冠軍片，馬拉西亞恐怖片?！ ×鶄€名校女生玩刺激扮鬼上身，嚇到學(xué)校請來法師驅(qū)邪，穿幫后被罰留校幾日，繼續(xù)搞鬼玩出鬼，嗜血的恐怖之門一打開就沒得回頭……
狼嚎2023
Ebonie Cadman,杰登·考爾菲德,Jesse Matthews Cooke這是一部只有背景音樂寫實(shí)的粗獷毫不妥協(xié)且極具風(fēng)格的獨(dú)立無聲藝術(shù)電影，描述在美國式的自由民主制度下所誕生的黑社會陰暗面、地痞流氓、吸食毒品、色情、謀殺、販賣軍火等，改編自古希臘荷馬史詩中的人物故事。
外星人2025
Annie Ngosi Ilonzeh·Marques Houston·Erica Mena·Drew Sidora·Erica Pinkett·Ken Lawson·Claudia Jordan·Obba Babatundé·Jensen Atwood·Taymour Ghazi·Mark Holzum·Jaime Alvarez·Daniel Rodger·Ashton Williams·Lincoln Blake·Dog在將未婚夫留在祭壇后，梅麗莎和朋友們一起住在一間小屋里。當(dāng)珍妮被發(fā)現(xiàn)在樹林里被肢解，外星人襲擊了國家時，女孩們必須為生存而戰(zhàn)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.