伊娃傳小唇愛娃的故事

9.0 播放：50萬 更新：2026-04-23

別名:暫無內(nèi)容Historia暫無內(nèi)容de暫無內(nèi)容Eva暫無內(nèi)容/暫無內(nèi)容Little暫無內(nèi)容Lips暫無內(nèi)容這部片子可以說就是歐版的lolita吧暫無內(nèi)容豬腳打完一戰(zhàn)回來，遇到了精靈一般可愛的小侄女暫無內(nèi)容他寵愛她，天人交戰(zhàn)暫無內(nèi)容她漸漸懂得男女之事暫無內(nèi)容某一天終于和賣藝少年要初試云雨暫無內(nèi)容被豬腳看到，經(jīng)受戰(zhàn)爭與感情雙重打擊的豬腳，丟下要送給女孩的禮物自殺了暫無內(nèi)容和lolita一樣，這個(gè)年紀(jì)女孩是天使與魔鬼的混合體

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別名:暫無內(nèi)容Historia暫無內(nèi)容de暫無內(nèi)容Eva暫無內(nèi)容/暫無內(nèi)容Little暫無內(nèi)容Lips暫無內(nèi)容這部片子可以說就是歐版的lolita吧暫無內(nèi)容豬腳打完一戰(zhàn)回來，遇到了精靈一般可愛的小侄女暫無內(nèi)容他寵愛她，天人交戰(zhàn)暫無內(nèi)容她漸漸懂得男女之事暫無內(nèi)容某一天終于和賣藝少年要初試云雨暫無內(nèi)容被豬腳看到，經(jīng)受戰(zhàn)爭與感情雙重打擊的豬腳，丟下要送給女孩的禮物自殺了暫無內(nèi)容和lolita一樣，這個(gè)年紀(jì)女孩是天使與魔鬼的混合體

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

奔跑的犀牛

張釗,張揚(yáng),劉哲

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村民總動(dòng)員

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哈莉娜因?yàn)榻?jīng)濟(jì)困難被迫取消了婚禮，于是她的親友們決心制定一個(gè)瘋狂的計(jì)劃來吸引游客，增加收入。

食夢者

佐藤健,神木隆之介,小松菜奈,桐谷健太,新井浩文,皆川猿時(shí),山田孝之,宮藤官九郎,中川雅也,染谷將太

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