半月劫
"Half暫無內(nèi)容Moon"暫無內(nèi)容tells暫無內(nèi)容the暫無內(nèi)容story暫無內(nèi)容of暫無內(nèi)容a暫無內(nèi)容city暫無內(nèi)容gripped暫無內(nèi)容with暫無內(nèi)容fear暫無內(nèi)容because暫無內(nèi)容of暫無內(nèi)容a暫無內(nèi)容man暫無內(nèi)容killing暫無內(nèi)容prostitutes.暫無內(nèi)容When暫無內(nèi)容down暫無內(nèi)容on暫無內(nèi)容her暫無內(nèi)容luck暫無內(nèi)容prostitute暫無內(nèi)容Rose暫無內(nèi)容(Shellie暫無內(nèi)容Chapman暫無內(nèi)容aka暫無內(nèi)容Tori暫無內(nèi)容Black)暫無內(nèi)容goes暫無內(nèi)容to暫無內(nèi)容a暫無內(nèi)容hotel暫無內(nèi)容to暫無內(nèi)容meet暫無內(nèi)容a暫無內(nèi)容man暫無內(nèi)容who暫無內(nèi)容seems暫無內(nèi)容like暫無內(nèi)容the暫無內(nèi)容perfect暫無內(nèi)容guy暫無內(nèi)容things暫無內(nèi)容soon暫無內(nèi)容change暫無內(nèi)容and暫無內(nèi)容she暫無內(nèi)容suspects暫無內(nèi)容he暫無內(nèi)容could暫無內(nèi)容be暫無內(nèi)容the暫無內(nèi)容killer暫無內(nèi)容...or暫無內(nèi)容worse暫無內(nèi)容a暫無內(nèi)容Werewolf!
即刻觀影
劇情賞析
編輯推薦
穿越山海走向你
劉婉露,周浩東,海拉提·哈木,帕拉沙提·阿依克什主演：帕沙拉提·阿依庫什/劉婉露/桑宗忠12歲的牧區(qū)少年別克聽說曾經(jīng)來新疆幫助牧民脫貧致富的駱駝爺爺生病了，執(zhí)拗的別克相信，喝了新鮮的白駝奶，駱駝爺爺?shù)牟【蜁?huì)好，于是躲開大人的圍追堵截，牽著一對(duì)白駝母子，到幾千公里外的成都去找駱駝爺爺，沿途遇到了很多人，發(fā)生了很多驚險(xiǎn)有趣的故事。立即播放
蟲2025
平野生成,佐藤里菜,木口健太,北原帆夏,山田絹緒,細(xì)川佳央,橋野純平,中山求一郎柾木在大學(xué)好友池內(nèi)的邀請(qǐng)下去觀看舞臺(tái)劇，并被登臺(tái)表演的芙蓉所吸引。然而，他逐漸開始懷疑芙蓉與池內(nèi)之間的關(guān)系。于是柾木與一個(gè)對(duì)芙蓉心懷厭惡的神秘女子小林合作…… 影片根據(jù)江戶川亂步的同名中篇小說改編。
空心大少爺
陳勛奇,葉倩文,午馬大光燈是富家闊少爺，由法國返回香港，繼承遺產(chǎn)，怎料繼父已將全部遺產(chǎn)贈(zèng)送慈善機(jī)構(gòu)，遺下給他的只是四字真言：自力更生。一夜之間，闊少爺落難無家可歸，暫寄居前管家炎叔家中，與此同時(shí)，大光燈開始尋回已各奔前程的昔日四個(gè)樂隊(duì)——人行支票樂隊(duì)的隊(duì)友，是非精、檸檬頭、貓糞。貓糞是頗負(fù)名氣的舞男，是非精貪圖金錢，好逸惡勞，甘愿繼續(xù)其舞男生涯，而檸檬頭經(jīng)不斷碰壁，放棄對(duì)表妹的盲目追求，與小鳳同赴外國深造，生意則轉(zhuǎn)讓給大光經(jīng)營……
別怕，是我
凱拉·贊德爾十五年前，莉茲的前男友德魯因搶劫銀行而被捕。如今，德魯突然出現(xiàn)在她家後院，請(qǐng)求她讓自己暫時(shí)藏匿。莉茲竟答應(yīng)幫忙，但前提是要她老公不在家。
開著我的房車去旅行
秦宇,李芷珺,姿娜,王坤炎影片講述了主人公周云飛因?yàn)閴?mèng)想，踏上了自己的房車之旅，在旅程中他經(jīng)歷了許多事情，也體會(huì)到了很多道理。人生就是一場(chǎng)旅行，你一定要讓你自己的人生，活的精彩，活的有價(jià)值。就這樣，周云飛向著他新的人生方向奔赴而去的故事。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster