嫂子的感覺

★ 5.4 播放：99萬 更新：2026-04-23
主演：金敏貞.??? 

新婚夫婦阿英和光洙在懸崖邊聚在一起。 他在弟弟光春的山間小屋裏開了一家小餐館已經(jīng)5個月了，他的哥哥光洙擔心經(jīng)濟衰退沒有顧客，爲了支付逾期的商店稅，他還兼職停車。幫我個忙，說到年底才免店稅…… 光春的好意是另有目的，所以一直關(guān)注著年輕漂亮的嫂子阿英！ 光春深挖阿英受苦受難的弱點，堅持肉體關(guān)系，阿英爲了保護與丈夫的婚姻，允許與光春發(fā)生醜陋的性關(guān)系。白天是姐夫的性玩物，晚上是餐廳的謙虛女主人……阿英在丈夫和姐夫的臥室曉星之間走著危險的鋼索，懷疑丈夫婚外情的人說，對方是小弟，被真相大驚，決定報仇，東西方相識的兩個女人，能否從中找到真正的幸福？他們家庭的束縛像蜘蛛網(wǎng)一樣糾纏在一起？

在線播放

劇情簡介

新婚夫婦阿英和光洙在懸崖邊聚在一起。 他在弟弟光春的山間小屋裏開了一家小餐館已經(jīng)5個月了，他的哥哥光洙擔心經(jīng)濟衰退沒有顧客，爲了支付逾期的商店稅，他還兼職停車。幫我個忙，說到年底才免店稅…… 光春的好意是另有目的，所以一直關(guān)注著年輕漂亮的嫂子阿英！ 光春深挖阿英受苦受難的弱點，堅持肉體關(guān)系，阿英爲了保護與丈夫的婚姻，允許與光春發(fā)生醜陋的性關(guān)系。白天是姐夫的性玩物，晚上是餐廳的謙虛女主人……阿英在丈夫和姐夫的臥室曉星之間走著危險的鋼索，懷疑丈夫婚外情的人說，對方是小弟，被真相大驚，決定報仇，東西方相識的兩個女人，能否從中找到真正的幸福？他們家庭的束縛像蜘蛛網(wǎng)一樣糾纏在一起？

導(dǎo)演精選

莫德羅監(jiān)獄1977

　　1976年，一名會計師因莫須有的罪名，將面臨不公正的刑事判罰，他決心一斗到底。西班牙導(dǎo)演阿爾韋托·羅德里格斯（《千面人》）闊別6年重回大銀幕的新作，根據(jù)真實事件創(chuàng)作，于現(xiàn)已關(guān)閉的巴塞羅那莫德羅監(jiān)獄內(nèi)實景拍攝，回溯1976年弗朗哥去世后的西班牙民主過渡期。影片巧用突然驚嚇營造驚悚氣氛，反映獄警對犯人的多種慘無人道的摧殘；藉由民憤輪番上演花式越獄，點燃普通人的求生之火，強烈抨擊國家法律體系的不公。榮獲2023年西班牙戈雅獎16項提名，最終攬獲最佳美術(shù)指導(dǎo)等5項技術(shù)大獎。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

退伍軍官

曾經(jīng)為國家而戰(zhàn)的男人，如今必須對抗來自內(nèi)部的敵人，才能守護自己的家園與家人。