即刻觀影
劇情賞析
編輯推薦
陰影村
西里爾·索文尼,莎拉·弗里斯蒂,尼古拉斯·高布,克麗絲塔·特瑞特九位年輕人, 一同出游到一個(gè)叫做法國鄉(xiāng)間的魯福瑞村去度假, 殊不知此村莊在上百年前的法國大革命時(shí), 就已經(jīng)受到死亡的詛咒, 每八年就會(huì)有慘案發(fā)生, 九位年輕人一到達(dá)村莊後, 便一個(gè)個(gè)消失, 這個(gè)神秘的村莊到底發(fā)生了什麼事?
婚前脫單快樂
Katlego Lebogang,Siya Sepotokele Raymond...
林肯大戰(zhàn)僵尸
小比爾·奧伯斯特,克里斯·赫洛澤,Jason Vail19世紀(jì)，經(jīng)歷了影響深遠(yuǎn)的南北戰(zhàn)爭，美國終于迎來了新的時(shí)代。亞伯拉罕·林肯（比爾·奧伯斯特 Bill Oberst, JR 飾）接連取得與人類的勝利，卻不得不面對(duì)新的敵人。他麾下一直部隊(duì)在巡察途中遭遇活死人，三十人僅有一人幸存，但由于驚嚇過度精神失常。北方政府懷疑這是南方的最新武器，于是計(jì)劃派出一支12人的小分隊(duì)深入敵后，救出被困的人員。勇猛無敵的林肯見識(shí)了活死人的威力，自告奮勇帶部隊(duì)向南方進(jìn)發(fā)。在目標(biāo)要塞，他們遭遇了數(shù)量龐大的活死人軍團(tuán)，這群怪物的殘忍更遠(yuǎn)遠(yuǎn)超出他們的想象?！ ∷劳鼍仍寐L難熬，偉大的林肯總統(tǒng)能否帶著他的子民逃出生天……
隱藏殺手2
Raphael Sbarge,Kate Hodge上集中異形并沒有被消滅掉，她又回來了，變得更加的強(qiáng)大，這次的主角輪到別克的女兒朱麗婭了，她和另一個(gè)伙伴要繼續(xù)面對(duì)新的挑戰(zhàn)了
別走
斯蒂芬·多爾夫,梅利莎·喬治,西蒙·德蘭尼,加文·歐康諾,萊勒·羅迪,肖恩·馬洪,Aoibhinn McGinnity,Grace Farrel,Des Cave,Luke Griffin,夏洛特·布拉德利,Laurence O'Fuarain,Sahar Ali,Ella Connolly,Grainne Coyne梅利莎·喬治、斯蒂芬·多爾夫主演的[別走](Don't Go，暫譯)柏林電影節(jié)曝光首款劇照。該片故事講述本(斯蒂芬·多爾夫飾)的女兒在事故中去世，而他相信自己可以在夢里將女兒帶回來。本從此陷入現(xiàn)實(shí)和虛幻交錯(cuò)的空間。該片愛爾蘭將于9月4日上映。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.