VN.015 陸芷翊lucia

　　一部混雜音樂劇和喪尸電影的喜劇片，這部僵尸歌舞片的框架基于2010年英國電影學院獎獲獎短片《僵尸音樂劇》（暫譯）（ZombieMusical），講述了一大波僵尸窮追猛打一撮人，他們邊唱邊打，不斷求生的故事。電影取景地為蘇格蘭，由艾拉·亨特出演安娜，馬克·本頓飾演安娜的父親，保羅·凱耶出演反派。

　　根據約瑟夫和麗貝卡·鮑在普拉佐集中營的婚禮被斯皮爾伯格的辛德勒名單紀念的真實故事改編。Bau，《戰(zhàn)爭中的藝術家》是一部戰(zhàn)爭劇/愛情故事/間諜故事，在這個幸存者正在死亡、大屠殺正在從記憶中消失的時代需要講述。約瑟夫在營地里運用他的藝術技巧，活了下來，幫助數百人逃走。奇跡般地，他在絕望中找到了愛。一種將持續(xù)一生的愛。幾年后，當他被傳喚為殘酷的納粹軍官受審的關鍵證人時，他被重新帶回了大屠殺的生動記憶中。納粹軍官折磨了他并殺害了他的父親?，F在，他呼吁這種愛和精神的韌性來面對他過去的終極惡魔。

　　Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth.　　With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50.　　Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned.　　Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.

西南偏南電影節(jié)劇情片競賽。                                                                      　　Nellie and Daisy attempt to escape the institution for delinquent girls in 1954 New Zealand, however not only are they caught, it triggers a relocation to a facility on a remote island. The duo become a trio as well-to-do Lou joins them, and life on the island takes shape under the command of devout Matron. The trio rail against the system, dubious of the benevolence of the bible and taking refuge in their blossoming friendship. It’s hard to reform girls who don’t believe they need reforming. However, a sense of doom settles in when experimental forms of punishment take place in the dead of night. Nellie and Daisy plot rebellion, but unexpectedly find themselves at odds with Lou, who is afraid to break the rules.