戛納的柔膚

致命塔羅

　　一群青年肆無(wú)忌憚地違反了塔羅牌的規(guī)則，釋放了牌中的可怕惡靈，他們一個(gè)接一個(gè)地面對(duì)命運(yùn)的審判，使得最終陷入了一場(chǎng)與死亡的賽跑。

夜間巡邏

　　An L.A. cop discovers a local task force is hiding a secret that puts the residents of his childhood neighborhood in danger.

孤獨(dú)癥候群

　　An epic mosaic of lonely people with crossed destinies who will set their sights on Arthur Morhan, a psychoanalyst on the verge of a breakdown.

麥哲倫

麥哲倫是一位航海家，他秉持人道主義精神和對(duì)正義的信仰，反抗國(guó)王的權(quán)力。然而，當(dāng)他最終掌管香料艦隊(duì)，完成首次環(huán)球航行后，他的旅程又將如何揭開(kāi)他自身的謎團(tuán)呢？

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

時(shí)光插班生