精武少年

Y計(jì)劃

韓韶禧,全鐘瑞,金新綠,鄭英珠,金圣喆,李在均,柳始我

人生低谷迫使兩位女子偷盜數(shù)百萬(wàn)黃金——這是他們?nèi)松凶詈笠淮紊镭P(guān)的冒險(xiǎn)。                                                                      　　美善（Mi Seon）和道靜（Do Gyeong）或許早已習(xí)慣在首爾江南區(qū)最危險(xiǎn)的地段掙扎求生，但這并不意味著她們已經(jīng)安于此地。除了彼此之外，兩位好友只能拼命攢錢(qián)，想要擺脫危險(xiǎn)的生活方式。然而，就在“退休”指日可待之際，世界卻背叛了她們，粉碎了她們的希望。在絕路邊緣，她們?cè)诮蠀^(qū)發(fā)現(xiàn)了一筆隱藏的財(cái)富，其中包括贓款和黃金——并將所有賭注押在了人生中最后一次豪賭上。

戰(zhàn)栗驅(qū)魔

漢娜·邦·本茲,迪恩·基爾貝,Nicholas Anscombe

　　An exorcism goes horribly wrong and unleashes a vengeful spirit that has been locked up for centuries.

搜查瑠公圳

朱軒洋,吳卓源,張世,梁修身,朱栢康,姚淳耀,張永正,李雪,潘儀君,詹懷云,馬力歐,羅芽里,廖嘉琛,王振復(fù),錢(qián)薇真

根據(jù)1961年轟動(dòng)全臺(tái)的“瑠公圳分尸大案”改編。刑警趙子午（朱軒洋 飾）與記者張秀秀（吳卓源 飾）在得知女尸案有幕后陰謀后，聯(lián)手搏命找尋真相。警方也隨后發(fā)布巨額懸賞。不料，趙子午父親、抗日將軍趙志升（張世 飾）被列為分尸案嫌犯。媒體得知后開(kāi)始瘋狂報(bào)道，一時(shí)間這起混雜血案、輿論、政敵的分尸案鬧得全城震動(dòng)……

密室逃生2

泰勒·拉塞爾,洛根·米勒,霍蘭·羅登,茵蒂婭·摩爾,托馬斯·康奎爾,伊莎貝拉·弗爾曼,詹姆斯·弗萊恩,卡利托·奧利維羅,杰米-李·蒙尼,坦婭·范·格拉恩,阿維亞娜·亞伯拉罕

　　好萊塢驚悚大片《密室逃生2》由《速度與激情》系列金牌制片人重磅打造，前作曾創(chuàng)下中國(guó)影史進(jìn)口驚悚片票房冠軍。續(xù)作在闖關(guān)難度和驚險(xiǎn)刺激程度上全面升級(jí)，集結(jié)全球頂級(jí)玩家合力解鎖超高難度密室，開(kāi)啟命懸一線的殘酷生存之戰(zhàn)。

命運(yùn)之書(shū)

邁克.梅爾斯,斯賓塞.布萊斯林

　　火、水、風(fēng)、土、和空氣，生命五種核心元素曾經(jīng)注入在一本書(shū)--命運(yùn)之書(shū)。黑暗籠罩了大地，需要借助筆和書(shū)的力量，但這本書(shū)卻失蹤了，人們以為它永遠(yuǎn)消失了，但數(shù)百年后卻又再度出現(xiàn)……

環(huán)法

熱拉爾·德帕迪約

　　Far’Hook is a 20-year-old rapper. Following a violent dispute with a rival, he’s forced to leave Paris for a while. His producer, Bilal, suggests that Far’Hook acts as driver for Bilal’s father, Serge, on a tour of French ports, following in the footsteps of the classic painter Joseph Vernet.　　Despite the age gap and culture clash, an unlikely friendship forms between this talented rapper and a bricklayer from the north of France during a road trip that concludes in Marseille for a final concert, one of reconciliation.

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster