劇情縱覽
Dave是個單純,害羞,孤獨(dú)的鄉(xiāng)村男孩,愛好有拍照和戀足,他的愿望是找到一個夢寐以求的美足,所以他通過互聯(lián)網(wǎng)開始搜索并開始了他的三次與美足的主人的約會。前兩次都以失敗告終,一無所獲,第三次他在紐約也幾近失敗,但是他遭遇了一個名叫 Irene的半老徐娘,她有一對人造假胸。他和她之間互相勾引,后來所發(fā)生的也可想而知,也令Dave開始改變他對美足的追求,并懷疑他的真正人生目標(biāo)。
Dave是個單純,害羞,孤獨(dú)的鄉(xiāng)村男孩,愛好有拍照和戀足,他的愿望是找到一個夢寐以求的美足,所以他通過互聯(lián)網(wǎng)開始搜索并開始了他的三次與美足的主人的約會。前兩次都以失敗告終,一無所獲,第三次他在紐約也幾近失敗,但是他遭遇了一個名叫 Irene的半老徐娘,她有一對人造假胸。他和她之間互相勾引,后來所發(fā)生的也可想而知,也令Dave開始改變他對美足的追求,并懷疑他的真正人生目標(biāo)。
冷戰(zhàn)時,全球兩大特工組織——俄羅斯“中心”與英國“圓場”明爭暗斗。特工遇害,高層震怒,責(zé)成“圓場”挖出“地鼠”。懷疑對象共有5人,即圓場上任“老總”命名的鍋匠,裁縫,士兵,窮人,乞丐。其中,金盆洗手的“乞丐”喬治·史邁利(加里·奧德曼 Gary Oldman 飾)本來有重大嫌疑。某日,行動組-剝頭皮組頭目的彼得·吉勒姆(本尼迪克特·康伯巴奇 Benedict Cumberbatch 飾)與英國內(nèi)閣辦公室諜報(bào)總監(jiān)拉康排除了史邁利的嫌疑,令其重新出山,負(fù)責(zé)挖出“地鼠”。于是,史邁利開始分別走訪故人,調(diào)查“圓場”老大阿勒萊恩,裁縫-比爾·海頓(科林·費(fèi)斯 Colin Firth 飾),士兵-掌管東歐事務(wù)的資深間諜羅?!げ继m德,窮人-后勤部門點(diǎn)路燈組組長托比·伊斯特哈斯。一時間,圓場疑云密布,人人自危,究竟誰才是“地鼠”…… 本片本片根據(jù)約翰·勒卡雷的同名小說改編。片名來自英國民間的“鵝媽媽童謠集”。
據(jù)傳聞,古時候有座山叫猿猴山,猿猴山有一國,名為猿國。猿國有一罕見白猿,猿國尊護(hù)白猿為神,稱“猿神”,百姓日夜供奉,祈求平安。近日,有傳言說“猿神”暴怒,不會再庇護(hù)猿國了,國主才會久病不起,導(dǎo)致猿國上下人心惶惶。為了穩(wěn)定民心,猿國國主請求太極村掌門延一道人幫助猿國調(diào)查傳言真相,讓百姓心安。延一道人派遣弟子玄城前往猿國協(xié)助,探尋背后真相。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
Trapped in a pocket universe, surviving Earths face annihilation by the Anti-Monitor. Time shatters, bringing past heroes to aid Justice League against the epitome of evil. Their sacrifice may lead to victory.